Category Archives: Uncategorized

How to have the strongest punch, the most powerful punch, in the universe!

Newsletter 860

Gordon Liu, Cal Worthington, and the Most Powerful Punch in ALL the Martial Arts

Let’s talk about perfection in your work outs.

I’m pretty lucky.

I grew up through the so called

golden age of martial arts.

Though,

truth,

I think the golden age is just over the hill,

we’re on the cusp of great things,

things that the ancient masters would eat their hearts out for.

So,

in this golden age of martial arts

were some wild ass chop sockies.

Chop sockies are the name we’ve given kung movies

of the seventies and eighties.

Special effects consisted of trampoline kicks,

and the most terrible acting imaginable.

But for a country that had no martial arts

this was the holy grail.

Gordon Liu was the ringleader

of this massive influx of kung fu.

‘Thirty-six Chambers of Death,’

you know?

And,

one night I was watching late TV.

During the eighties

late night was supported by Cal Worthington.

Stick with me now,
I’m going to take a little trip…

Cal Worthington sold cars on late night TV.

He would put a tiger on the hood of a car

and call it his dog ‘spot.’

One day I needed to buy a car,

so I headed over to Cal Worthington’s place,

kids and wife in tow.

Now Cal had a song that played on TV.

The song went…

‘Go see Cal, Go see Cal, Go see Cal!’

And I didn’t know that my two boys couldn’t understand the song,

and had replaced Cal’s lyrics with their own.

So we hoped out of the car

a bunch of sales men were leaning against a nearby car,

and one of my boys went up to them

and asked if this was really where Cal Worthington  lived.

The salesman smiled and said yes.

My boys immediately launched into their own version of the Cal song.

‘Pussy Cal, Pussy Cal, Pussy Cal!

Needless to say,

the salesman were lying on the ground and holding their guts.

They couldn’t stop laughing.

I tried to get one to stop laughing.

I said, ‘We need a car.’

Between laughs he said, ‘I don’t care!’

And the laughter started up again.

Okay,

that was a long way to go,

but here’s the thing,

amongst those bad, old movies that Cal supported

was a little gem called, ‘Mad Monkey Kung Fu.’

At three in the morning,

one summer night,

I was watching that thing,

and the hero gets his ass kicked,

and he is training in this weird stuff called Monkey Kung Fu,

and suddenly I see the training gimmick.

He hits with his outstretched fingers,

then, without retracting his hand,

he goes forward with his knuckles,

then, without retracting his hand,

he goes forward with his fist.

I looked at that.

I started going around the house,

hitting walls, doors, anything that was a surface.

Fingers, knuckles, fist…

Fingers, knuckles, fist…

Fingers, knuckles, fist…

And,

I knew it was a movie gimmick.

I knew it was bogus,

but I couldn’t stop practicing it.

Fingers, knuckles, fist…

And,

over the course of months

I tweaked that sucker into different forms,

explored different timings,

and things started to happen.

When I began kenpo,

back in 1967,

I used to hang a piece of cardboard,

and strike it with a backfist.

Eventually,

I was able to make hole on the cardboard,
but I stopped because there was no place to go.
I make a hole and…so what?

What was the next step?

Then,
years later,
I found the Mad Monkey Punch,

and this obsession gripped me again,

‘and over the months I began to put holes in things.
cardboard,
pieces of drywall,
whatever.

Now,

everything is connected in this universe.

somebody touches your little toe,

and even the hairs on your head feel it.

When I started practicing the Mad Monkey Punch

I was already at the point
where I could make holes in cardboard with a backlist,

and I could do push ups on two straight fingers.

And, I had done  a ton of Tai Chi,

Tai where I shifted the body back and forth,

causing weight to go back and forth,

causing a feeling of energy going back and forth,

like water in a  bathtub,

as it were,

and I suddenly began putting that into a fist.

Here is the equation:
Kenpo snapping backfist.

Push ups on two perfectly straight fingers.

The Mad Monkey Punch.

Tai Chi sloshing around inside my karate body.

equals

a fist that can penetrate the body.

There are three depths when striking,

strike the skin,

hitting as hard as you can,

but leaving no pain.

strike the muscle,

causing bruise.

strike the bone

causing the bones to shiver and break.

I sometimes am teaching people,

and when I want to make a point,

I strike for the bone.

The students INSTANTLY crumple up.

They jump back and rub their shoulder,

and wonder how the heck an old man can hit so hard.

I don’t hit so that the body is flung back,

in fact,

I hit and the body doesn’t go anywhere,

it is just revulsed from the introduction of total body invalidation,
invalidation that the student can feel
from the little toe
to the hairs on his head..

Sometimes you can see me do this kind of punch on videos,

but not often.

I’ll have to shoot a video on it,
showcase it for you.

it really is easy,

but it took a long time to develop,

especially since I didn’t know what I was doing.

And I really didn’t know what I was doing,

but it was like I was caught in a current,

and bouncing off significant rocks,

until an idea or two formed in my head.

Connections.

Everything in the universe is totally connected,

but it takes awareness to see it.

The martial arts grow that awareness,

but you have to have patience,

and a wee bit of faith.

Anyway,

I hope I have inspired a few of you

to explore some of these things,

snapping backfists
totally straight two finger push ups,

mad monkey punches

tai chi until you are sloshing bathtub of energy.

Or maybe something I’ve said

has connected with something you already know,

or caused a spark to happen,

or something.

You know,

if you wish to know what I know,

to tap into my 50 years of martial arts obsessing,

it’s all in the videos and books.

Try this one…

http://monstermartialarts.com/martial-arts/hard-punch/

That’s a book written on punching.

A whole book,

listing ALL the exact methods I used,

how I figured out the sequence of energies,

to make a perfect punch,

and the exact drills I did.

Actually,

there’s three books bundled here,

read about the other two at the bottom of this page.

http://monstermartialarts.com/martial-arts/hard-punch/

Thanks for being martial artists,

and have a great work out!

Al

http://monstermartialarts.com/martial-arts/hard-punch/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:

https://alcase.wordpress.com

Remember,

Google doesn’t like newsletters,

so this is the best way to ensure you get them.

You can find all my books here!

http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Perfection in the martial arts

Newsletter 859

Perfection in the Martial Art

May you have Perfect Art
in your Perfect Work Out!

Perfection.
Interesting concept.
After you read this newsletter
it will be easy to attain.
If you can count every blade of grass in the field.

Perfection means
free from flaw or defect.

Most people don’t even know what a flaw or defect is in the martial arts.
They hit and focus on how hard they hit.
Or they box and exult when they make a good punch.

These things are not even close.

When I was doing Aikido
way back when
the instructor said an interesting thing.

The perfect circle has no corners.

Hmmm.
The context he was talking about,
the technique we were involved in,
was a simple shoulder roll.

We would roll,
following instructions as best we could
and we would hit a hip,
or flop a foot at the end,
or find any of a thousand other ‘corners.’

So we worked and we worked until our rolls were silent.
A silent roll is a perfect roll.

Interesting concept.

But how do you apply that to the rest of the martial arts?

In aikido it is easy,
if you have impact with your partner
while doing a technique,
you knock him out of harmony,
you knock him out of the perfect arc of the technique,
instead of merging with his lunch,
you nudge it out of true
and the technique fails.
The technique has corners.

And,
you can apply the concept of silence to this,
a silent technique has no flesh slapping,
no bones knocking,
no collisions,
either with each other or the floor.

But that’s aikido.
How do you apply this technique to other arts?

You look for silence.
Don’t slap the feet on the floor.

Don’t ‘collide with an arm when blocking,
rather cut it effortlessly.
You are silent…he goes ow!

Now,
obviously,
there are times when you will make sound.
Say you hit the floor with your foot to supercharge a technique.
There is sound there.
But is the sound of the foot hitting the floor the only sound?

Is the sound of the kiai,
when you deliver a punch,
the only sound?

Does your fist hit and create sound?
But sound is excess energy
thrown out from a technique that isn’t truly pure.

Can you see where I’m going with this?

The interesting thing is trying to move with no sound.
I sometimes work out late at night,
everybody asleep,
and I try to work out with no sound
except those that are part of the technique.

When you can punch somebody with no sound
the impact is pure,
the transference of weight from one body to another
is pure.

So think about it.
I wouldn’t worry too much about it in class,
it’s one of those work on it…in silence.
By yourself,
exploring how little you can do
to do a lot.

Anyway,
probably the best art
for learning to create silence in your technique is Tai Chi Chuan.

http://monstermartialarts.com/martial-arts/five-army-tai-chi-chuan/

Have a great work out!
Al

http://monstermartialarts.com/martial-arts/five-army-tai-chi-chuan/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Martial Arts Master Instructor gives his win!

Newsletter 858

A New Master Instructor!

Happy work out to you!
And,

Congratulation to Master Instructor Tony Burnett!

Here’s his win.

Dear Mr. Case,

Thank you for assisting me with our new Defensive Tactics class in the Hurst- Euless- Bedford Independent School District. I have thoroughly examined the recommended Blinding Steel material, the 40 techniques found in the Matrix Kung Fu and the Master Instructor Course with much excitement. I know the matrix strategies you have developed will allow my students to progress much faster and with better understanding than anything else out there. As a retired police officer that is now teaching criminal justice students, I realize how important use of force issues are to the communities we serve. I believe its one of the most important topics covered so I began a search to find courses that would help my students learn and apply knowledge of disarming, joint locks and standing take downs to name a few. After reading many positive reviews of your system, I purchased Matrixed Aikido, and I learned as much from it in four days as I did in 25 years of training in Aikido for DT!. After that course, I purchased the core set that included Matrix Kung Fu, Matrix Karate and the Masters Instructors Course and became even more impressed. The Blinding Steel course (matrixed weapon systems) has been my favorite so far and is an excellent supplement to the the Monkey Boxing (Matrixed Kung Fu) course. I am so thankful that I found your courses and learned the strategy and benefit of matrixing the arts. You have contributed more to so many, including me and my students, than you will ever realize. Now, I want to continue this journey for myself, my students and the criminal justice industry that I serve with your blessing. I am requesting an endorsement to be a  Master Instructor so I may continue to explain the benefits of matrixing the arts and apply those benefits to the arts and subsequently my students.

Thank you for considering my request as well as your assistance with the material for my students.

Respectfully,

Tony Burnett
Law and Public Safety Teacher

Well done, Tony,
and thank you for being a martial artist.

And,
Tony makes an interesting statement:

‘I realize how important use of force issues are to the communities we serve.’

Your first duty is to make sure you can defend yourself.
Beyond that,
you should cultivate the ability
to take care of yourself
with as little harm to an attacker as possible.

Some people blink when I say this,
some people think you should just maim an attacker,
other people think you shouldn’t defend yourself
if you are going to hurt somebody.

The truth, as usual,
lies somewhere in between.

Here’s an interesting oddity,
if you train as if you are going to kill somebody,
you might reach the point where you don’t have to.

Anyway,
the point here is that people should learn the martial arts,
they should be able to protect themselves,
they should be able to protect others.

Remember,
if you can stop a fight
without a blow being struck,
then you demonstrating the highest level of martial arts.

Here’s the link,
should you wish to learn the truth about the martial arts

http://monstermartialarts.com/martial-arts/4-master-instructor-course/

Again,
well done to Tony,
I know he’s going to have great impact
on the field of defensive tactics,
and teaching the correct use of force.

Have a great work out!
Al

http://monstermartialarts.com/martial-arts/4-master-instructor-course/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Making the Body Hard Enough to take a Punch in the Martial Arts

Newsletter 857

Armor in the Martial Arts (part two)

It’s Saturday!
Time to work out ALL-L-L-L day long!

Hey, look at the title,
Armor in the martial arts…part two?
I thought I’d written everything I wanted to,
then thought about it,
and realized I was only half done.
You can check out part one on MonsterMartialArts.com (the blog)
But let me finish the article right here.

I told you the secret of taking punches
was easily learned by just doing the forms,
doing techniques out of the forms,
and practicing breathing.
Let me splain.

When you breath,
you breath out when the body expands,
and in when the body contracts.

Or,
you breath out when you strike somebody,
or when you are getting struck.

This is simply aligning the
in and out’ of breathing
with the expansion or contraction,
so to speak,
of the body.

But it is a major alignment.

Just remember that you must breath as if to the tan tien.
The tan tien is the energy center an inch or two below the navel.

Now,
oxygen will not reach the tan tien,
it will go to the bottom of the lungs and stop at the diaphragm.
But…this starts a sensation of energy
that continues downward from the diaphragm
and condenses into the tan tien.

When you breath like this,
hold out your arms in a relaxed manner,
and you will feel a tingle in your finger tips.
This is an indication that
as you focus on the tan tien
it creates energy,
and this energy can be cycled through your body.

Now,
we come to the interesting part.
You can,
by just being aware of a body part,
direct energy to a body part.
Become aware of your right index finger,
and you will feel a sensation in your right index finger.
If you don’t,
you just need to practice directing your awareness
until you do feel the sensation.
I spend a lot of time,
quite serious here,
just thinking about my right index finger,
then my left,
then my right,
and so on.
Just feel the awareness wake up the finger,
making it tingle,
and begin to glow with energy.

When you practice forms,
by breathing like this,
you are putting energy into the body part
used in the form.
The fist,
the foot,
the block,
etc.

When you do the forms
you learn how to breath.
when you do the techniques,
and somebody strikes you,
you become aware of the place being struck.
Again and again and again.

First you tighten the muscles,
but,
because of proper breathing,
you are directing energy into the site.

Eventually the energy you are pushing through the body
goes there automatically.
First into the fist,
or foot or whatever,
then into the body part being struck.

Somebody hits you,
and the energy just slides through the body.
Sometimes you can feel it moving.
Sometimes it just sort of erupts into a shield,
a deep sort of shield,
that stops the strike.

It usually takes a while to get this ability,
but it won’t take long if you know what I am saying here.
When I learned
nobody told me,
took me years.
But by the time I made black belt
(about 3 1/2 years)
the energy was moving,
going to where I was going to get struck.
And the pain of getting struck totally stopped.
People would hit me
and there was literally no effect.
Other guys in the school just accepted this.
They were going through it, too.
People on the street were sort of amazed.

It is not the same as taking a punch in boxing.
In that discipline you tighten the muscles.
In the martial arts,
probably because of the kind of strikes we were taking,
the muscles would tighten,
but the important thing was
the energy moving under the surface.

Okay,
that is the other half of the article,
what I should have told you yesterday.
Better late than never, eh?

So,
if you have a copy of the book I wrote,
the ‘Kang Duk Won,’
(amazon or, possibly, the Monster website on one of the courses)
then you can pick it up,
do the forms,
do the techniques,
and you’ll get there.
You’ll have to practice,
ignore fellows who say,
‘You won’t see that on the street!’
Because you are going deeper,
looking for other abilities.
And,
to be honest,
you can make that art work on the street,
but you have to commit yourself to the art,
you have to work to make it work.

But the Temple Karate course is better.
I give you more forms,
forms aimed at that building this sort of ability,
plus a few other abilities.
The forms are slightly tweaked to be more efficient,
and I show you how to make it work.
You see me do it on video.

But,
up to you,
either way is excellent.

And,
if you think you have enough data,
you could just try to apply stuff I’ve said,
including today’s blog,
to other arts.
Karate works best,
but there is usually too much degradation of form.
The Kang Duk Won,
as I studied it,
bypassed the Japanese influence,
stayed with some of the chinese internal practices,
and is about efficient as it gets.
Kung fu,
I don’t know.
That is really going to depend on a lot of factors.
But there you go.
That’s the way,
all you have to do is dig in and commit yourself.

Have fun,
Have a great work out,
and I’ll talk to you next.

http://monstermartialarts.com/martial-arts/temple-karate/

Al

http://monstermartialarts.com/martial-arts/temple-karate/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

From Art to Science with New Matrixing Book

Newsletter 855

The Science of Matrixing in the Martial Arts

Funtastic morning to you!
It’s fun for me
because I just released a new book,

The Science of Matrixing in the Martial Arts.

Let me lead into this book
by telling you about a comment I recently received.
The comment was on one of my videos.
It read something like:

‘You are a dope.
Matrixing isn’t new,
haven’t you ever heard of
Wing Chun, Karate, Krav Maga, Aikido… (etc.)
They all matrixed!’

I love stupid people,
they make me feel so smart.
It’s true that you will see a matrixing principle here and there,
I accumulated matrixing and organized it
as a result of examining the various martial arts.
But,
matrixing has never been seen.
And the fellow who wrote this scathing review
is a fellow who has never seen matrixing.
He saw a video
and made a judgement on all that I do.

Look,
there are two kinds of people in the world,
those with opinions,
and those with facts.

People with opinions are like Beavis and Butthead,
they speak without knowing anything about what they are speaking of.

People with facts get it right,
or at least are on the right track,
assuming that they continue to get facts,
and understand how to analyze and organize what they are getting.

So,
what is matrixing?
Matrixing is a logic.
And,
it is a science.
It organizes the martial arts,
and causes the matrixing student
to re-evaluate the martial arts.
To see the arts as a complete field of science.

Yes,
there is an art to applying the science,
but it is still a science,
and if one knows the science
it gets that much easier to apply the art.

The one thing that a writer tries to do
is to get the ideas from his mind
into the mind of the reader.

This is one of the most difficult things in the world.
It requires that the writer says what he says
in such a manner
that the idea of which he is speaking
duplicates itself in the reader’s head.

That is what I’ve been trying to do for over 40 years of matrixing.
That’s why I keep writing and writing.
some people get it,
but not all.
I need ALL people to get what I am saying with matrixing.
I need the idea of matrixing that I see,
to become the same idea in the reader’s heads.

An interesting problem.
But I think this book solves it.

In this book I simply took all the matrixes I have written,
and put them in an order,
from beginning to end.

So you see what the idea behind matrixing is.
You see the inspiration.
You see how it developed
from concept to concept
by inspecting the actual graphs of the science.

A picture is worth a thousand words.

Each graph or matrix
represents an evolutionary step.
Each graph or matrix
represents a concept,
and the concepts are listed in scientific order,
from simple to complex,
with formulas discovered.

This is NOT a book of technique.
It is a book of concept,
and if you actually do it,
you will get the idea of matrixing.
You will see the exact sequence of ideas and steps
it took to develop matrixing.

And,
unless you are like Butthead,
like the fellow who wrote the wonderful and enlightened comment,
you will see the truth of the martial arts.

You will see
the total and entire concept
that matrixing is.

Then you just have to practice and drill and work your heart out.
Easy, eh?

So here is where you go to check it out:

https://www.createspace.com/6989804

I prefer this to Amazon
for the simple reason they pay more.
But if you prefer Amazon that’s okay.

Remember,
this is not a book on forms, techniques, and so on,
it is the straight goods
the actual matrix by matrix method
that defines matrixing as a science.
It WILL revolutionize your art.

Have an awesome work out!
Al

http://monstermartialarts.com/martial-arts/3a-blinding-steel-matrixing-weapons/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Great Drill for Increasing Speed of Punches

Newsletter 854

Increase hand speed for harder punches

Happy Hot day!
I love it when the temp goes up,
sweating just purifies the body!

And…
You can find the latest old journal here…

http://www.monstermartialarts.com/MonsterJournal5.html

No guarantee on any links,
don’t know if they work,
nor care.

That all said,
here’s a nifty, little drill for you.

Go dip the hands in water.
Just up to the knuckles.
Now,
punch until they are dry.

You must FLICK them like a towel.
Shake the water off.
This simulates flicking energy out of the hands.
It fixes people who have slow, muscular punches,
and puts the lightening in the frightening.

Now,
sorry to say,
I don’t have time right now,
I’m about to publish a book,
and I just don’t have the time.
I’ll write a nice, long newsletter in a few days,
let you know about the book.

But,
while you’re waiting,
try that punching drill,
enjoy the heat,
and don’t forget to go to this page
for the art this drill came from.

http://monstermartialarts.com/martial-arts/3a-blinding-steel-matrixing-weapons/

It’s weapons,
but that includes taking weapons away
from those poor, unfortunate muggers.
And that means you need to increase your hand speed,
your coordination,
and the fight in your heart.

Have an awesome work out!
Al

PS,
any trouble with courses,
any questions about anything,
drop me an email at:

aganzul@gmail.com

http://monstermartialarts.com/martial-arts/3a-blinding-steel-matrixing-weapons/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

How to Become Inspired in the Martial Arts

Newsletter 853

Finding the Muse in the Martial Arts

Good Friday!
Perfect Weather = Perfect Work Out!

All you have to do is…do it.
But,
what if you don’t want to?
Well,
I’ll tell you what to do if that’s the case,
but first…

You can find the latest old journal here…

http://www.monstermartialarts.com/MonsterJournal4.html

Now,
what do you do
if you don’t fee like working out.

First,
get up,
go stand in your work out space,
and wait.
That’s all,
wait.
Eventually,
you’ll make a half hearted block,
maybe you’ll snort a little,
and the block sort of slips out.

Then,
you’ll find yourself doing it again,
but with a little more vim and vigor.

The longer you just stand there,
allowing yourself to be in your workout place,
the work out will hurry towards you.

It’s true.
ST work outs
I EVER had in my life,
I didn’t feel like going to class.
BUT,
I made myself get up,
forced my body out the door,
dragged it to the car,
and drove to class.

I made myself.

But the fact of conquering myself,
overcoming my sloth,
made me better,
and I found myself suddenly bursting with energy.
True.

It’s funny,
just being in a class
borrows energy from the class,
you always end up with more than you contributed.
It’s true.

And,
here is where we get into the muse.
What is the muse?
It is a spirit,
it’s what inspires and drives you.
Sometimes you drive yourself,
and you are your own muse.
Sometimes,
you can actually feel a greater power.
You can feel it like it is a huge hand,
moving you,
shoving you,
making you aware,
giving you more energy than you knew you had.

But you have to work for it.

You have to…
DO THE ART UNTIL THE ART DOES YOU!

One time I was teaching a fellow.
We were in a large and noisy and dark warehouse.
I was showing him how to swing a sword.
Suddenly,
I felt a huge hand grab the bit of metal I was using for a sword.
It moved the sword,
and it was all I could do to push the sword a couple of inches
out of the path.

A fellow was trying to sneak up on,
he actually had the thought,
‘I’m going to get him!’
And then the giant hand,
the muse,
grabbed my sword.

I would have taken out his face,
but I did manage to push against the muse
and change the path of the metal strip,
and I only cut open his chest.
A nasty gash about 3 inches long,
bled like the dickens.

But that is what the muse is!
It is a power.
You get it from yourself,
you get it from class,
you even get it from…
all the people who have put energy into the martial arts
over the course of the ages.

Energy doesn’t disappear,
it builds,
and it can be cultivated and tapped into.

Anyway,
you will find yourself better able to tap into the muse
if your art is scientific and aligned.
Matrixed.

Go here,
the book on sword fighting is one of these ten books.

http://monstermartialarts.com/martial-arts/martial-arts-master-books/

Remember,
the more you read,
the more you apply what you read,
the more you work out,
the more you discipline yourself,
THE MORE MUSE YOU’LL HAVE!

Have an awesome work out!
Al

PS,
any trouble with courses,
any questions about anything,
drop me an email at:

aganzul@gmail.com

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Defining the Yin Punch…

Newsletter 852

‘Not’ punching as a Way of Life

Did you know….
you will be happy every day
if you work out every day?
It’s true!

You can find the latest old journal here…
http://www.monstermartialarts.com/MonsterJournal3.html

Remember,
no guarantees on the links here,
I don’t know where they lead,
but if you find a working link to a deal
I’ll honor it.
Not working links….too bad.

How many Martial Artists does it take to screw in a light bulb?
Just one.
The others sit around and say,
“We have that in our system.”

Awright,
it’s a terrible joke.

I actually prefer this joke:

How many buddhas does it take to screw in a light bulb?
Two.
One to screw in the light bulb,
and one to not-screw in the light bulb.

I often wonder how many people actually understand that.
I mean,
how do you ‘not-screw’ something?
how do you ‘not-do?’

It took me about 20 years to figure out how to not-do something,
and this in spite of the fact that I actually understood it.

But knowing about something
is not the same as knowing something.

So when you are beginning,
you punch,
really hard.
This has the benefit of making muscles,
creating speed,
and impressing the girls.

After a couple of decades
you realize that you aren’t getting stronger.
In fact,
you realize that the harder you go,
sometimes…
the more it hurts.

For me,
I started getting headaches from punching.
Whiplash, you know.

So I started changing things.
I didn’t want to give up the martial arts,
and I realized that if they were hurting,
there was something wrong.

I was doing something wrong.

One thing I did was read all the old texts.
Old books on zen,
Chinese concepts,
that sort of thing.

I mean,
if I was hurting,
and I was doing what everyone else was doing
then somebody else must have hurt, too.
Right?

And it was in the ‘not-do’ concept of Buddhism.
Oddly,
now I didn’t understand it.
But I understood it when I was 20!
But at 40,
I didn’t get it.

The solution to understanding this concept
came from The Tao.
There is a line in it…
a very neutronic line…

‘Do nothing until nothing is left undone.’

Lights came on in my dusty cranium.
Synapses clicked in my neural patterns.
Even the zombie circuits came alive!

I started hitting softer.
I stopped seeing how much impact I could create,
which was the result of hitting harder,
and began looking for
how soft I could hit,
or,
here it comes…
how much weight I could deliver
without hitting.

Man,
that was a real ‘not-doing.’
It was zen, baby,
right from the root.

Now,
to be honest,
it probably wouldn’t have worked
if I hadn’t spent all those years trying to hit hard.
I had to have a certain amount of yang
before I could have a certain amount of yin.

It’s sort of interesting,
the universe is built of yang,
but there is more yin.
Yang is things.
Yin is not-things.
Not things include the space of things,
but also…
all the rest of space.
Here is the key to understanding.

It’s not how hard you hit,
it’s how much weight is transferred,
but then you have to go backwards again,
and take even the weight out of the strike.
once you go through these steps
something interesting happens.

In the old Chinese texts
There was reference to hitting something
and invalidating the atoms.
Making the molecules hurt.
Hmmm.

And I found that the softer I hit,
and the less weight I put into the the strike,
the more I could feel…atoms.

Well,
not atoms,
not exactly,
but hitting softly,
with more yin,
putting space into an object (body)
and the body didn’t like it.
It was like the atoms got invalidated.

So if you hit with yang,
impact,
force on force,
then things simply break.
They just reach a point of breaking
and the object doesn’t mind that.

But if you hit with yin,
understanding what force is,
and isn’t…
then the object that you are striking wants to go away.

I guess the only way to think about it is like this…
something in the universe (a body, for instance)
doesn’t mind being broken,
for that doesn’t change it’s ‘somethingness.’
but when you hit ‘something’ with less force,
to the point of hitting it with emptiness,
so that the idea of emptiness goes into the somethingness,
then that something is in threat of being changed,
it doesn’t like it,
it wants to run away.
It is invalidated,
made more wrong than it understands wrong to be.

Weird,
eh?

Anyway,
you can see the video of me hitting something with yin
on the Matrixing Chi page on the monster.

Unfortunately,
unless you have developed enough force to understand force,
and then gone the other way to understand ‘not-force,’
or yin,
or the opposite of something (nothing…to the extreme),
you won’t understand it.
But that’s okay,
you just read the words,
have a little faith,
and do a lot of practice,
and what I say is going to make PERFECT sense.

Have an awesome work out!
Al

PS,
any trouble with courses,
any questions about anything,
drop me an email at:

aganzul@gmail.com

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Make Your Martial Arts Movies Movie Perfect!

Newsletter 851

Perfect Moves in the Martial Arts

Happy Almost Summer!
Funny,
it’s raining here in LA,
but tomorrow it will be 70 degrees,
and perfect for working out!

Got a MOST interesting email from Jon P.
It asked the question that bugs us all…

Hey Al, this may seem like a silly question, I don’t know if you’ve ever seen the Ipman trilogy or not, but if not then here is a clip to better set the stage for my question-https://www.youtube.com/watch?v=-mRlpRtFDyg
while I know it’s just a movie and everything is staged and choreographed, my question is : is there any way a level of competency in a fight like the type we see in the above clip, or similar ones likes it, could ever be achievable in a real fight?

Is there one among us
who has not watched martial arts in the movies
and wondered how to get that perfect?

Back at the Kang Duk Won,
this would have been about 1973,
there was an assistant instructor named Ron.
One day one of the fellows
pointed out that the forms were less than useful in a fight.
We could all feel the silence
as Ron turned to the fellow,
and we expected some kind of lecture,
or quick remark,
or something.
We didn’t expect what happened.

Ron: “Name a form.”
Student: “Pinan Two.’
Ron: “Let’s freestyle.”

They bowed,
circled,
and the student attacked.
Ron actually used the first movement from Pinan Two,
used an outward block and that useless back hand high block.
Then he stepped forward,
slashed down,
and went under the student’s arm.

Nobody really knew what had happened.
Nobody had ever seen somebody actually use the form.
Needless to say,
jaws dropped.

Ron: “Name a form.”
Student: “Pinan Five.”
They fought,
and Ron used one of the later moves from Pinan five
and totally undid the student.

Ron: “Name a form.”
Student: “Bot sai.”
When the fight started Ron jumped in with the first move,
blew the guy back
and straight punched his chest
and knocked the guy to the ground.

Ron even let some of the students call out individual moves from the forms,
and there was nothing anybody could do.
He simply used the forms,
in the middle of freestyle,
to do what he wished.
It was an uncanny and unbelievable demonstration of pure art.

It turned out that many of the upper belts could so such things,
but nobody was as good as Bob Babich,
who was the head instructor.

If you want more information on Bob
check out
http://kangdukwon.com

But,
right now,
let me tell you a little story about him.

Bob trained with Don Buck,
which meant that he trained with Mas Oyama,
who was Don’s direct teacher.
Then Bob met Norman Rha,
and he studied the Kang Duk Won
and opened his own school in San Jose.

After a few years Bob had promoted a few fellows to Black Belt.
One of the fellows was Johnny V.
Johnny was much admired,
and was EXTREMELY good.
Johnny decided to open his own school,
he did so,
and it was right down the street.
A block away from Bob’s school!

He was actually competing with Bob!

And here is the phenomenal part…
he still expected to come to Bob’s classes!

Some of the fellows told Bob what Johnny was doing.
Bob got tight around the eyes.
And Johnny walked in.

Bob started the class.
There was a short stint of stretches,
the basics,
the forms,
applications of the forms,
drills,
and then…freestyle.
We lined up
two lines facing each other.
Freestyle for a moment,
then bowed and stepped to the right.
The guys at the end moved to the other side,
and we all freestyled new partners.
Bob had started at the top of the line,
Johnny at the bottom.
They met in the middle.

Everybody in the room could feel the tension.
Bob and Johnny bowed.
Johnny started to move,
and Bob touched his eyeball.
Johnny couldn’t even blink,
let alone move his head away.
They began again.
Johnny tried to move away,
Bob touched his eyeball.
Just a touch,
a bare touch,
but Johnny could feel things happening inside.
Again,
again.
For ten minutes they sparred,
and no matter what Johnny did
Bob touched his eyeball.
When freestyle was over,
when the class was over,
Johnny walked into the back room and sat down.
He just sat there,
hanging head,
and after a few minutes he began to sob uncontrollably.

Now,
this is an absolutely true story.
And,
this particular bit of martial arts
has been in the movies.
It has been years since i saw it,
I’ve forgotten which movie.
Might be Jet li,
that rings a bell,
but somebody can remind me which.

But the point is this,
you CAN make your martial arts perfect,
perfect to a point which movies would be hard pressed to duplicate,
at least without FX, wires and trampolines.

What does it take?

Well,
you need to find a good martial art,
one that hasn’t been messed with by tournaments,
politics,
sparring gear,
vested interest,
and so on and so on.

One that has been tried and tested
and formed over generations,
and which has grown only by the inclusion of that which really works,
and then only when that technique fits
with the concept of the martial art in question.

What I call a Closed Combat System
(see earlier blog on CCS)

Or you could just study a matrixed martial art.
That would be a pure art,
one which adheres aa concept
and all the hidden moves
are easy to see.

Here you go…

http://monstermartialarts.com/martial-arts/6-shaolin-butterfly/

Have a great work out!
Al

PS
don’t forget to check out
MonkeyBoxingNow.com

especially the blogs…

PS,
any trouble with courses,
any questions about anything,
drop me an email at:

aganzul@gmail.com

http://www.monstermartialarts.com/1monsterJournal1.pdf

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei

Getting Smart in the Martial Art

Newsletter 850

Knowledge in the Martial Arts

Fantastic day to you!

Do you remember when you were in the fifth grade?
You were smarter than the fourth graders,
you could,
let’s be honest,
kick their little butts.
But those sixth graders…
man, they were big and mean!

And,
you realize that I have honestly depicted the martial arts.
This is the way the belt structure works,
just like grades in school.

Those purple belts,
they’ll never toughen up.
Little dweebs.
But those brown belts,
man!
They are mean!

But they aren’t bigger.
The sixth graders are bigger,
but the brown belts…they’re about the same size.

If you take a black belt and a green belt,
and you give them a bunch of tests,
push ups, sit ups,
that sort of thing,
there usually isn’t a great difference.

So what is the difference between belts?

The simple answer is:
the upper belts have better kicks and punches and stuff.

But there is a more important answer that most people miss out on.

Knowledge.

The upper belt has more knowledge.

But what is knowledge?

There’s car mechanic knowledge,
and farmer knowledge,
and mathematical knowledge.
All sorts of fields of knowledge,
but martial arts knowledge is different.

What I am talking about is the experiential knowledge.

For upper, upper belts,
it is simply referred to as ‘polishing.’
A guy doesn’t learn something new,
he ‘polishes’ his technique.

In other words,
he does something with more and more attention to detail,
and in that minutiae,
in that painstaking examination of motion,
is more knowledge.

Sometimes,
the differences of knowledge,
on that level,
seem inconsequential.
But,
let me tell you,
the differences,
the smaller they are,
are ginormous.

How do you know when somebody is going to do something
before they do it?

Today’s modern black belts
often can’t do this.
Yet this ability,
to tell what somebody was going to do
before they did it,
was considered normal
for a good black belt
a few decades ago.

But today’s modern black belts
are usually interested in running a school,
or somehow translating their activity into money.

Today’s black belts don’t actually work out much.

They teach,
and there is knowledge there,
but it is not the same thing
as creating silence around a technique
until you can see the technique
before it comes.

This is the knowledge of which I speak.

You do a technique
looking at it harder and harder
until you see some difference,
some odd thing
you never saw before,
and then you have a bit more knowledge.

Don’t get me wrong,
I’m not telling you teaching is wrong,
just that there is a field of knowledge
which teaching doesn’t plumb into,
and which isolating yourself into endless repetitions of a technique does.

Teaching provides a database of knowledge,
but you still have to build a high mountain on that database.

Okay,
so what does it feel like?
What does this higher knowledge look like?

I’m 68,
I teach a couple of hours a day,
but I work out intensely.
Sometimes not as much as I want,
but I still try to work out EVERY DAY!
To look at an inch,
and slice it into finer lengths.
To look at a kick
and find some awareness of body in it
of which I was not aware.

Let’s say I am doing a replacement kick.
Specifically,
stand in a front stance facing a bag or wall.
Now…

replace your front foot with your rear foot
and strike the wall with your front foot.

Both feet move at the same time,
fear to front at the same as front to wall.
The rear foot plants on the floor at the same time
as the front foot impacts upon the wall.

And you reverse the motion to the beginning and original posture.

Okay,
you do this,
and you do this,
you begin to appreciate
how the angles of the feet,
the muscles of the leg,
and all the minutiae
must come together in an instant.
And,
if you keep doing this and doing this,
maybe for years,
one day you will be watching your feet from above,
just watching,
sort of marveling,
and thinking,
‘Huh, that’s good, that’s working.’

No joy or pride,
just deeper appreciation,
a satisfaction for the days work
that nobody,
unless they do the martial arts for decades
will ever understand.

But here’s what I didn’t mention.
You watch your feet,
without taking your eyes off your target.

HUH?
HOW CAN THAT BE?
HOW CAN YOU WATCH BOTH THE FEET AND THE WALL YOU ARE HITTING?
DON’T YOU HAVE TO TAKE YOUR EYES OFF THE WALL TO SEE THE LEGS?

Here’s where it gets tricky,
but pay attention to what I’m about to say.

The eyes are a bio-mechanical device
through which you look.
They eyes don’t look.
They are the ‘binoculars,’
the ‘glasses,’
the ‘microscope’
and you have to ask this one important question…
who is looking through the microscope?

Who?

Who is doing the technique?

Who is operating your body?

If you are watching it from above,
without eyes,
then who are you?
What are you?

This is the knowledge of which I speak,
this is the higher levels of the martial arts,
lost in calisthenics and tournament training,
never seen by people obsessed with bullying groups of students.

So I kick,
and,
outside my body,
outside my eyes,
I watch the kick,
and in the watching comes a power unlike anything an earthling has ever imagined.

It makes me want to do martial arts every single waking moment
of every single day
for the length of my life.

And,
when you finally get that removed viewpoint,
I call it a ‘Neutronic Viewpoint,’
all sorts of things can happen.
Things that have nothing to do with the body.

You can fill a room with energy,
you can put it in a student to help him understand,
you can shoot it at an opponent to overwhelm him.

And yet this energy,
too,
can be sliced into infinity,
made to create a whole new and different body of knowledge.

As getting a black belt opens the door to new experiences and knowledge,
so does this achieving of a new viewpoint.

Now,
how do you get this knowledge and ability?

First,
you study,
and you DON’T STOP!

And,
you teach.
And you gather bits of knowledge,
whole arts if you wish
and you put them together as a whole.

Think,
what kind of a car would we have,
if the makers of tires believed that steering wheels weren’t important
because they weren’t tires?

You can’t toss out any part of the art
for any other part of the art,
you have to make everything come together in one picture.

So you study,
and you put the arts together through matrixing,
and you search for that unique outer viewpoint.

Seek,
as in…
‘he who seeks will find.’
You have to be that religious about it.

Okay,

Here’s a little birthday gift to you.
I don’t care if it’s not your birthday,
you were born sometime,
and if I missed your birthday,
then I’m making up for it,
here’s the gift.

http://www.monstermartialarts.com/MonsterJournal3.html

I don’t think the PayPal buttons work on it,
but maybe the links do,
have no idea.
If a button or link doesn’t work,
sorry,
nothing I can do about it.
But if you find something that works,
on this old website,
good for you.
I’ll honor it.

AND…
take a look at the last graphic in the mag.
It is an image of how the arts develop,
and it actually shows how people can be distracted and fall off,
even with the best of intentions.

So enjoy,
and remember what I said about…
‘work out, teach, and never hold yourself back.’

Have a great work out!
Al

PS,
any trouble with courses,
any questions about anything,
drop me an email at:

aganzul@gmail.com

http://www.monstermartialarts.com/1monsterJournal1.pdf

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

go to and subscribe to this newsletter:
https://alcase.wordpress.com

Remember,
Google doesn’t like newsletters,
so this is the best way to ensure you get them.

You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei