Unding your Education with Matrixing

Newsletter 989

The Odd Effects of Matrixing in the Martial Arts

Started matrixing back in the 80s.
Been a long time.
Formalized it around 2007.
Taught a lot of people,
but here’s the thing…
matrixing is VERY subtle.

You do the first courses,
maybe you get a blast of realization,
especially if you’ve spent some time in the arts,
have a good database that needs to be organized.
Then the real work starts.
Time.

Time passes
and the seeds gestate within.
The initial blast of logic fades a bit,
but it keeps working.
Sometimes you don’t realize it
but you are looking at the world differently.
logically.
Life becomes smoother.
things other than the arts make sense,
are made logical by the matrixing going on inside you.

When you go to school
you are told to shut up and learn.
It’s all behavior modification.
Teachers can’t control the classes
unless they can control the masses.
So shut up and do your work.
Doesn’t matter that the work isn’t logical,
doesn’t have much to do with life.
Shut up and do your work.

They even go after you after school.
Do your homework.
No rest.
Get trained (modified)
so you can be a cog in a factory.

And here’s the thing…
there isn’t much real learning.
Mostly,
it’s memorizing.
When was the battle of Bull Run.
Who cares.
Memorize that algebraic function.
Even though you will never use it in life.

And,
when a lot of people graduate
they are in one of two modes…
a robot ready to man a desk somewhere…
and learning sucks.

Yeah,
school teaches you that learning can be boring,
meaningless and stupid.
So people come out of school thinking that learning sucks.
I did.
And I’d probably still think that learning sucks,
if it wasn’’ for martial arts…
and then matrixing.

There are things in school,
underneath all the drivel,
that do mean something.
Learning how to write,
what all that grammar stuff is,
is incredible.
But they don’t spend a lot of time on that.
Better to modify your behavior.

Underneath that algebra,
is a whole method of learning and analysis
and critical thinking…
but they slide over that quick,
too hard to explain.

And speaking of critical thinking…
schools don’t go anywhere near that.
Kids might start thinking for themselves,
and then where would the behavior modifiers be?

I started learning when it came to the martial arts.
I wanted to understand it.
I wanted to figure it out.
And I started thinking.
I started analyzing it,
being critical in my thought concerning it.
I started doing things that school never prepared me for,
and never wanted me to do.

Matrixing.
A quick way to line up all the data,
to make sense of it
and apply it.
And the carefully arranged rigidity of my mind
started to shatter.

Unfortunately,
it doesn’t work that way for everybody.

I was lucky,
had a couple of good schools,
an instructor who didn’t say much,
but could do a lot,
but who wanted us to figure it out for ourselves.

I remember once,
when a couple of the students went to Bob (my instructor).
They showed him two techniques
and asked him which was better.
He said,
‘I don’t know.’
But it was obvious he knew!
But it was also obvious he wanted to think for ourselves,
to make up our own minds.
To look at the techniques,
try them out,
mix them up,
analyze them,
synthesize them,
and…
understand them.

That is something that almost no teacher,
in todays schools,
martial arts or otherwise,
wants you to do.

No critical thinking for you…
you have to stay a bozo.

Okay,
I’ve ranted enough,
and it’s up to you.
Be a carefully crafted
‘do what I say’ person,
or start looking.
Get critical,
get analytical,
start matrixing,
look for understanding,
and,
here’s the real deal…
start having some fun.

Guaranteed,
when you finally figure out what I’m saying
you’ll understand something that teachers may talk about
but don’t know how to make happen…
fun.

Here’s some real fun…

1a Matrix Karate

Hey,
hapy vets day to you!
and have a great work out!

Al

1a Matrix Karate

How Martial Arts Have changed Over 50 Years

Newsletter 988

Martial Arts Changing Over the Last 50 Years

When I began martial arts,
back in 1967,
things were different.

At this point you expect me to say something to the effect of…
we were more ‘dedicated,’
we were willing to suffer bruises and breaks,
we walked 20 miles,
barefoot,
through the driving snow,
uphill both ways.

Nope.
Has nothing to do with that.
You see,
I have been in modern schools,
I have seen people train until they couldn’t stand,
I have seen people suffer injuries and keep going.
I have seen that uncommon degree of dedication
that the martial arts create in individuals.

I am talking about knowledge.
Let me give you an example.

Do you do the horse stance?
Can you do Teki 1 for an hour?
Can you hold a ‘horse meditation’ pose
for an hour?

Nope.

Most modern schools no longer practice the horse stance.
At least,
I have never seen them.
They don’t force themselves to do low stanced forms.
And in this they are different than
the way we did things fifty years ago.

So,
why is the horse stance important?
It’s just a weird squat, right?
so what’s the big deal?

Okay,
here we go,
see if you can stay with me.

If you stand on straight legs
you don’t work.
Your legs don’t work.
You can stand on two legs for hours,
no prob.

If you stand in a deep horse,
legs bent,
you work like a mofo.
You sweat and strain,
and…the tan tien has to produce more energy.

The tan tien starts to work.

So you do it again.
And you last a half a minute longer.
And you do it again,
and again,
and over a month or so you start to notice weird things.

By breathing deeply,
and imagining that you are breathing to the tan tien,
a ‘place’ a couple of inches below the navel,
you are able to stand in a horse longer.
Your legs don’t shake as much,
and you begin to feel the energy coming out of the tan tien.

You realize that your legs are working harder,
so your tan tien is working harder,
and you are experiencing a weird sort of body energy.
An energy that Joe from the western world doesn’t know exists.

And,
here it gets interesting,
you start moving differently.
You brace in stance and people can’t move you.
Your arms become unbendable as you wish.
You stop using muscle and start using energy,
as from the tan tien,
to do certain types of work.
Most of all,
you move differently,
energy courses out from the tan tien,
goes through the arms,
becomes an unstoppable force
that is directed through and out from
your well structured karate form.

What is happening is
if you practice low stances,
doing karate forms,
that little thing called a tan tien
will ignite.
and…

THE MOTOR OF YOUR BODY WILL TURN ON.

It will change the way you move,
the way you treat life,
the way life treats you.

But,
most schools no longer practice the deep stances,
and especially the deep horse stance.
And,
here is the sad thing,
if the instructor insists on it,
students leave in flocks and droves.
Don’t want to work.
Aren’t willing to make the sacrifice.
Can’t put up with a little pain.
It’s not fun.

So…the martial arts are different
than when I first began them 50 years ago.
People are still willing to suffer,
but they don’t understand things like the horse stance,
so they end up fighting,
going to tournaments,
softening the experience with padding,
and they never get the true karate.

And,
here is something really weird.
Gichin Funakoshi,
some 50 years ago,
said much the same thing.

He said that the karate he saw
was not the karate he learned….50 years before.

Did he just observe the same thing I did?
Or was there some super secret that they were doing
that I missed.

Uh oh.

I recommend Outlaw Karate,
because I took the most important techniques
from the two most workable systems I have ever seen,
and combined them in one system.
It really works,
and you will have an opportunity
to work that horse stance the way I recommend.

3b Outlaw Karate

Have a great work out!

Al

3b Outlaw Karate

Becoming Formless with Martial Arts

Newsletter 987

How to Be Formless in the Martial Arts

Bruce Lee talks about being formless.
Zen teaches us to be formless.
This idea of being formless permeates the martial arts,
but what the heck is it, really?

To be formless is to be in the moment,
actually moving in concert with an attack,
and not in response to an attack.

It means you don’t react,
you don’t move in specific ways,
but rather in unspecific manner,
adapting to the motion of your opponent,
and not moving in specific manners
your training has dictated.

Here’s the problem,
there are total idiots out there
who hear about being formless,
and think that because they don’t study anything,
and especially a classical art,
they are formless.

Nope,
they are idiots,
trying to make their lack of learning
more than it is.

So,
here we go,
here is what it means in ways you can understand
and even adapt to your work out.

To be formless is to be like water,
pour it into a glass and it assumes the shape of a glass.
Pour it into a bowl,
and it assumes the shape of the bowl.
So it doesn’t mean you have the no shape
of somebody who knows nothing,
it means you are smart enough
to shape yourself to the attack.

Somebody punches and you block?
That’s a response form Karate.
Somebody locks you go with the lock
and figure your way out of it?
That’s a response form Jujitsu.

And freestyle is just reacting,
it is fighting,
no pouring yourself into a shape
that fits the attack.

Let’s say somebody pushes you.
How do you react?
Do you brace, then attack?
Do you grab and throw?
Those are specific responses
created by studying specific arts.

If you were formless
you would adapt to the push,
shape your body around it,
and that might entail blocking or grappling…
or unbalancing or shifting or…or…
but it would be unique to the situation…
WITH NO LOSS OF AWARENESS.

Indeed,
you would have more awareness,
because that is the result of the martial arts training…
if done properly.

If you do not study a martial art
you are certainly formless,
and a victim to the forces of the universe.

If you do study a martial art,
and then another one and another one,
you eventually become formless…
and the universe is victim to your desires.

So these fellows who study something and say,
‘I stopped studying so I could break out of that art
and become formless,’
are total and utter idiots.
They have exchanged their inabilities
for the right to sound stupid.
It’s true.

The BEST way to be formless
is to study an art,
maybe karate or kenpo or something,
then another art,
maybe Aikido or tai Chi or something,
and then another art…
and so on.
Eventually you learn ALL the options
for forcing or flowing an attack,
Then you have choice,
actual AWARE choice,
within the structure of the fight.
And that would be formless.

Here’s the obligatory ad…

Tai Chi Chuan

I put Tai Chi here because most people study hard arts,
or arts requiring great effort,
and the best way to achieve formlessness
is to study an art that take little effort,
and which makes you think
and figure things out.

Make sure you check out the video halfway down the page.

Have a great work out!

Al

http://monstermartialarts.com/martial-arts/five-army-tai-chi-chuan/

How Do They Rank Black Belts in MMA?

Newsletter 986

The Interesting Thing About Black Belts

I’ve written often about
what a black belt is,
what the requirements should be,
and so on.
Let me say some unpleasant things here.

I volunteered my time
at a local martial arts school.
One night I was sitting with a half dozen MMA instructors,
and the talk turned to black belts.
One fellow had 22 years experience,
but was not a black belt.
Had no plans for testing.
Was quite happy to be a lower belt.
The other fellows accepted this as normal,
but it really made me think.

The fellow had the qualifications,
he knew what he was doing,
but there was some sort of mystique
concerning the longer you wait the better you are.

I asked one of the fellows later
about his promotion to black belt.
He said he had studied for some 20 years,
and suddenly realized that he wasn’t going to get any better.
Oh, he would get smarter,
pick up a few more sly tricks,
but he was now descending,
his body getting older
faster than he could learn.
So he went to the school owner
and told him that he wasn’t getting any better
so he better get his black belt while he was still any good.
He was given his black belt.

Now,
I’ve given you the data,
and maybe you’ve read some of my writing
about a black belt being ‘expert,’
so what does all this tell you?

To me it says that there is too much emphasis
placed on winning,
and not enough on structuring MMA
so that people can be properly evaluated.
That in the MMA (and this includes many brands of Jujitsu)
people are more concerned with who they can beat,
rather than mastering the distinct body of knowledge
that MMA is.
And this is what makes MMA a sport rather than an art.

Look,
being a sport is not bad.
It just sounds bad here because
it is coming through the filter of Al Case
who promotes art as best.

But,
really,
it is all up to you.

Interestingly,
I approached the head of the school I was volunteering at.
I suggested we categorize techniques,
make it easier to teach,
make the body of knowledge succinct and precise
so that we would better teach it.
He agreed,
and it actually fit into his plans for the school,
but every time we started to do something
he found an excuse,
disappeared,
changed the complexion of our meetings,
and so on.

As a sports man
he was unable to become an artist.
And here’s the funny thing,
he had trained in many of the classical arts,
he knew where I was coming from,
even agreed that I was right,
but at heart,
in the core of him,
he was a believer that might makes right,
that beating people up
was more important than teaching them methods
that would create distinct methods resulting in art,
the ability to classify ability,
and so on.

Simply,
it was more important to win a tournament,
than to do an art.

Well,
I’ll leave you fellows and gals
to figure out the worth of what I have said here.

In the meantime,
one of the most exact studies I have done
on what ranking and abililties are
was in the Outlaw Karate book.

Here is the Amazon page for it…

OUTLAW KARATE

There is a complete art in it,
complete with tests,
but see if you agree with how I analyze belt rankings.

Have a great work out!

Al

Rape, Martial Arts and Ethics

Newsletter 985

What is Your Martial Art Ethic?

I was teaching a student the other day.
She’s over 70,
but studied martial arts when she was young
so she’s in good shape.
I showed her a technique,
and we were talking,
and she made an interesting remark.
‘If I had him down like that
I’d kick him and stomp him.
I’d kill him.’

Whoa!
We had been talking about a rape situation,
I usually avoid those in teaching,
but she brought it up,
and I said,
‘But you’ve already got him down.
Why kill him?’

‘Because of what he’s done.
If he’s raped one,
he’s raped another.
He needs to be killed.’

It was funny.
She’s liberal in most attitudes,
but in this situation
she was a little to the right of Ghenghis Khan.
My kind of girl.
Except…

I said,
‘if you give in to rage you give up the art.’

But she really didn’t get it.
I couldn’t dent her pissed off-ness.
We were just talking,
but the rage she held,
for a make believe situation
(that she had never been in),
I couldn’t dent.

Ethics,
you see,
didn’t matter
when it came to rape.

I told her that if she shot somebody
and the wound was in the back
she would go to jail.
A man with a turned back is trying to get away,
is no threat,
and shooting becomes murder
if there is no threat of harm.

She didn’t care.
She was right,
and that was it.

Interesting.
I kept teaching her,
and will continue to do so,
even though there is a spot of insanity
hiding in her bones.

But then everybody is insane,
they don’t realize it
or they would be sane.

Martial Arts makes one sane.
It leads,
if done correctly,
to a higher ethic.

So when I meet somebody who is off kilter,
I just tell them to keep practicing.

But…
how about you?
If you’re female,
and found yourself in the situation
of having a rapist at your mercy,
would you do harm?
Kill him?
Cut off body parts?
Would you let your baser part rule you?

If you’re male,
and your wife or daughter is compromised,
would you kill the rapist?
You’ve already knocked him down,
he’s no threat.
Would you fall to revenge
and do bad things to him?

I’m not going to lecture anybody on this,
there is a line between civilization and savagery here,
and though I claim the higher ethic,
I can’t claim that what I think
is best for the race.

I’ll keep working out,
and hope that I find the answer that is right,
but…?

Here’s the obligatory ad,
it’s for Tai Chi because that is what I was teaching this good lady.

2ba Matrix Tai Chi Chuan

Have a great work out!

Al

Punching Ten Times Harder with Martial Arts

Newsletter 984

The Easy Way to Punch Hard in the Martial Arts

Most people don’t understand how easy the martial arts are.
Take, for instance, a good karate punch.
It will generate more power than any other punch in the world.
And takes less energy.
Don’t believe me?

I was watching a fellow punch the bag the other day.
The guy was maybe 25,
much experience in boxing and other arts.
The bag jumped and bent a little,
and that was it.

I stepped up to the bag.
I’m old…71.
I put my fingers to the bag,
then,
without retracting the arm,
I closed my fingers and thrust my arm out.
Freakin’ bag went to the roof.
You could feel it say ‘OW!’

So why was my ‘old’ punch stronger than some young turks?
Because I used less energy.

What is energy?
Go ahead,
give it your best shot.
Nope,
it’s not that.

Energy is the capacity for work.
Go on,
look in the dictionary.
That is the physics definition.
Physics,
if you don’t know it,
is the stuff we made up
to measure the universe.

So how do you measure work?
Here’s where it gets tricky.
You can measure work with…
watts, ohms, pounds, gallons per minute,
and so on and so on.
How you measure work depends
on what you are measuring.

So how do you measure work in the martial arts?
Here’s what nobody knows,
and why punches are so spectacularly lacking in horsepower.

You measure work by weight.

When that young Turk was punching the bag he was punching with his arm.
Twenty pounds of weight.

When I punched the bag
I moved my 71 year old body into it…
200 pounds of weight.

20 pounds versus 200 pounds.
I was literally punching ten times as hard as he was.
And,
I’ll tell you this,
it was easier for me to move my 200 pounds an inch or two
than it was for him to try to punch as hard as me
using his 20 pound arm.

Now,
I’ve given you all the clues,
how you going to put them together?
How are you going to make your body work ten times easier
than some guy nearly 50 years younger than you?

Well,
I’ll tell you,
it took me a while.
Fortunately,
I wrote it all down.

The totally scientific martial art
that opens eyes everywhere
and makes all martial arts quick and simple to learn.

Here’s the obligatory ad…

4d The Punch

But I’d be careful before I go there.
Sometimes it hurts to learn something,
you have to give up what you thought you knew.
Well, don’t say I didn’t warn you.

Have a great work out!

Al

The Easy Way to Punch Harder with Martial Arts

Newsletter 984

The Easy Way to Punch Hard in the Martial Arts

Most people don’t understand how easy the martial arts are.
Take, for instance, a good karate punch.
It will generate more power than any other punch in the world.
And takes less energy.
Don’t believe me?

I was watching a fellow punch the bag the other day.
The guy was maybe 25,
much experience in boxing and other arts.
The bag jumped and bent a little,
and that was it.

I stepped up to the bag.
I’m old…71.
I put my fingers to the bag,
then,
without retracting the arm,
I closed my fingers and thrust my arm out.
Freakin’ bag went to the roof.
You could feel it say ‘OW!’

So why was my ‘old’ punch stronger than some young turks?
Because I used less energy.

What is energy?
Go ahead,
give it your best shot.
Nope,
it’s not that.

Energy is the capacity for work.
Go on,
look in the dictionary.
That is the physics definition.
Physics,
if you don’t know it,
is the stuff we made up
to measure the universe.

So how do you measure work?
Here’s where it gets tricky.
You can measure work with…
watts, ohms, pounds, gallons per minute,
and so on and so on.
How you measure work depends
on what you are measuring.

So how do you measure work in the martial arts?
Here’s what nobody knows,
and why punches are so spectacularly lacking in horsepower.

You measure work by weight.

When that young Turk was punching the bag he was punching with his arm.
Twenty pounds of weight.

When I punched the bag
I moved my 71 year old body into it…
200 pounds of weight.

20 pounds versus 200 pounds.
I was literally punching ten times as hard as he was.
And,
I’ll tell you this,
it was easier for me to move my 200 pounds an inch or two
than it was for him to try to punch as hard as me
using his 20 pound arm.

Now,
I’ve given you all the clues,
how you going to put them together?
How are you going to make your body work ten times easier
than some guy nearly 50 years younger than you?

Well,
I’ll tell you,
it took me a while.
Fortunately,
I wrote it all down.

The totally scientific martial art
that opens eyes everywhere
and makes all martial arts quick and simple to learn.

Here’s the obligatory ad…

4d The Punch

But I’d be careful before I go there.
Sometimes it hurts to learn something,
you have to give up what you thought you knew.
Well, don’t say I didn’t warn you.

Have a great work out!

Al

Finding the Real Soul of the Martial Arts

Newsletter 983

The Windows to the Soul of the Martial Arts

I’ve talked about where you put your eyes before.
So let me say it again,
and give you a rather phenomenal martial arts drill.

My first school,
kenpo,
held the belief that you should focus on the chest,
develop peripheral vision when fighting.

My second school,
kang duk won korean karate,
was of a similar opinion.
My instructor,
the best martial artist I have ever known,
took it a step further.
‘Don’t look at the eyes,’
he said.
‘They will fool you.’

Well,
both schools were wrong.
Even the best martial artist I have ever known was wrong.

The eyes are the windows to a man’s soul.
The eyes are nothing but devices.
‘binoculars’ for the spirit that drives a man to look through.
What does the looking is the ‘I am.’
The spirit.
Who you really are.

I find it absolutely fascinating
that so many martial artists will hold to caveman theories
of watching the body,
and refuse to see who they really are.

So,
I get newbies pretty regularly,
and I teach them martial arts,
and I teach them to freestyle.
Shortly after they begin freestyle
I always do the following drill.

I have them stand with their back to the wall.
I tell them to look me in the eyes.
They are always staring away,
looking elsewhere,
it has become hard for man to look his fellow man in the eyes.
Used to be easy.
I met old timers and that is all they did.
Eye to eye,
a firm handshake seals the deal,
an honest day’s work,
that sort of thing.

So I have this fellow standing back to the wall,
I make sure he is looking at me,
and I punch him.
The first dozen punches are easy.
I swing roundhouses.
I punch fast,
but they are easy to see.
Frequently the student will close his eyes.
I do this easy method until he is able to keep his eyes open.
Then I speed up.
I spin and back fist,
I throw an occasional kick,
I have good control,
but the student’s eyes usually open up
as I put a little steam on the strikes.

He blocks them all.

That’s right.
the newbie student blocks virtually
EVERYTHING
I throw.

Why?
Because open eyes create intuition.

If a guy is looking away he is not seeing
and he might as well be unconscious.

If his eyes are open,
if the spirit of the man is actually watching,
there is no limit to what he can do.

From that point on I can teach him anything.
He will learn everything.
And easily.
And if he doesn’t,
I put him to the wall
and open his eyes again.

But…
don’t believe me.
Do it for yourself.
Put some bozo back to the wall,
go slow throw lazy rounders
and make sure he is watching,
that he doesn’t go to sleep with his eyes open.
Guaranteed,
you will have a fast learning student
who will staring looking at the world
in open eyed wonder.

This little drill has been brought to you
by the same fellow who gave you Matrix Karate

1a Matrix Karate

The totally scientific martial art
that opens eyes everywhere
and makes all martial arts quick and simple to learn.

Have a great work out!

Al

A WIN!


The High School of Martial Arts

Newsletter 982

The Educational Level of Most Martial Arts Instructors

Whew!
Hot today.
So I went to a martial arts ‘jamboree.’
Open call to everybody,
we all came into the school and worked out.
Did anything we wanted.
Lots of instructors around,
everybody had a blast.

So,
I was watching the instructors.
Some of them were freakin’ fantastic.
Some were okay.
We didn’t have anybody that was bad.
BUT…
I realized something.
Most martial arts instructors
are at the level of about a high school senior
when it comes to knowing and understanding the martial arts.

That’s right,
a black belt is,
generally speaking,
about the level of a high school senior.
He is bigger and tougher than the juniors and sophomores,
he knows a little bit,
but he doesn’t know enough to teach.

Pretty sad, eh?

For instance,
I spent some time showing a girl,
with physical disabilities,
how to punch so she could do the job without hurting herself.
I come back to her 5 minutes later
and a black belt has moved in and started teaching her.

‘Hit it harder!
Hit it harder!’

Pays no attention to the fact that she has problems
stopping her from ‘hitting harder.’
Isn’t aware of how her body is reacting to the overload.
Doesn’t really even know how to train a person,
especially how to hit somebody without hurting themselves.

And I don’t want to talk about the instruction
concerning joint locks or takedowns.

Simply, the instructor was about as knowledgeable
as a high school senior.

What should the knowledge level of a martial artist be?

A real martial arts instructor
should know three or four martial arts,
and actually understand how to teach.
That’s like a fellow who has graduated from college,
with a specialty in teaching.

Most instructors are trained in only one art,
and ‘know about’ every other martial art they have never seen.
Most martial arts instructors have never taken a course on how to be an instructor.
Most martial arts instructors think that a course in high school physics qualifies them
in the specialized physics of the martial arts (which are totally different that high school physics)
Most instructors don’t know anything about what chi is,
how to blend arts,
and they certainly don’t know anything about matrixing.

I spend a LOT of time educating people.
People who take my PMAT course are sometimes shocked
at what the real knowledge of the martial arts is.
People who take my Master Instructor course
are frequently blown away by what they didn’t know.

Think about it this way.

most instructors are about as smart as a high school senior
a real instructor would be at least a ‘college graduate’ when it comes to knowledge, and then have specialized courses on how to teach under his belt.

And, the alternative to all this, my solution to making instructors.

Get a black belt in matrix karate.
Learn 2 or 3 more matrixed arts.
Take the Master Instructor course.
Then you can call yourself a 4th black belt (master) with a master’s degree in teaching martial arts.
Then you would be actually qualified to teach martial arts.

Hey, it’s all on my site, and I’ve been saying this stuff for decades.

Here’s the Master Instructor Course…

1d Master Instructor Course

Have a great work out!

Al

A WIN!

Three Martial Arts Elements that are Crucial!

Newsletter 980

Martial Arts Elements for Survival

The Martial Arts elements that are necessary for survival are three.

The first martial art element is strength.
The forms and training will give one lots of strength. The stances are squats and lunges, and you will do hundreds of them during a class. Further, you will have real body resistance in your techniques when doing them with a partner, which will also aid your strength.
Strength, however, is not the most important attribute you should seek in the martial arts.

The second martial arts element is speed.
Speed comes from repeating movements endlessly. This repetitiveness will build a ‘zen’ frame of mind. One learns how to empty the mind sufficient to do the technique, to build more speed.
Obviously, speed is important when one is fighting; one needs to be faster than the other fellow, faster than the incoming punch or kick.
Interestingly, speed can lead to power, but strength does not necessarily lead to speed.
Speed, while an important second attribute, is not the most important element of the martial arts.

The third element is technique.
Technique is knowing how fast, how slow, how close, how far, how strong, how weak, how fast, how slow, and so on.
It is the appreciation of space around the body.
It is understanding what a punch (or kick) is, what it is comprised of, how it is built and delivered.
While some people may have a natural ability when it comes to speed or strength, there is no natural ability when it comes to technique. Learning the techniques of a fighting discipline, such as karate or jujitsu or kung fu takes time. And it takes time to improve them. And even more importantly, for those who are serious about learning a fighting discipline, the study of techniques will easily occupy a lifetime. Or three.

So the three characteristics that one should occupy himself/herself with in the martial arts are speed, power and technique. And of the three, technique is always the most important. Technique is the measure of a person, the measure of an art, and it is this study of space and time that makes the martial arts one of the most enjoyable activities in the universe.

Here’s the obligatory link to improve all three elements of the martial arts…

1d Master Instructor Course

Have a great and technically perfect work out!
Al

A WIN!

Hello Master Al
The Master Instructor Course has taught me to competently teach proper posture and changing positon by being perfectly balanced in natural stances.  To impart energy most effeciently by implementing CBM.
Thank you for teaching me to utilize the proper powers in the correct manner which in turn has caused me to be more confident in all of life.
Sincerely, Lori S

“Art calls for complete mastery of techniques,
developed by reflection within the soul.”
– Bruce Lee