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Matrixing Your Mistakes in the Martial Arts!

Gonna be a 100 degrees this week!
It’s time to really sweat!
So turn off that air conditioner
and get ready to ROCK!

Release of final volume of Matrixing Karate Series! Click on the Cover!

Let’s talk about matrixing.
In fact,
let’s talk about the big bugaboo of the martial arts…
MISTAKES!

Mistakes are not actually mistakes.
If you block something wrong,
for instance,
it’s not because you made a mistake,
it’s because you made a calculation,
a computation,
based on your current data.
When all the input finished,
when you finished calculating
the trajectory of the fist,
the angle of the block,
and so on,
and got hit in the face,
it is because you did what you trained yourself to do.

You didn’t make a mistake,
you responded according to your training.

This is actually true of everything in life,
but since martial arts are a microcosm,
a small classroom,
let’s look at the martial arts potentials here.

A student is trained to do a block.
He practices and practices,
until it is ingrained.
Until it becomes the intuitive response.
Then an attack happens,
and it is the wrong intuitive response.

This,
incidentally,
is why so many arts fail.
Take Kenpo,
for instance,
two arts,
the art of the technique,
and the art of freestyle,
and they have nothing to do with each other.
The training,
you see,
has left reality.
Then it takes twenty years or so
to make the intuitive work.
Maybe.

So here is the question:
How do you create a correct intuitive response…
EVERY TIME!
And that brings us to matrixing.

In matrixing a mistake is never a mistake,
it is an opportunity to learn something.

So consider this.

A right fist to the face can be blocked four ways.
Use your right hand to push it to the right
Use your right hand to push it to the left
Use your left hand to push it to the right
Use your left hand to push it to the left

I know,
there are lots of potentials here,
lots of other blocks.
But we are keeping it simple.
You can apply what I am telling you here
to other techniques and arts later.

So you practice the first one:
Use your right hand to push it to the right

and you practice it because it is the right one.
It is the one that works best.

And you practice and practice,
and then,
one day,
you are attacked,
and it doesn’t work.

WTF!

The reason it didn’t work might be anything,
a slight curve on the punch,
a delay in timing,
a sneaky distraction,
who knows and who cares.

What we care is the solution.

Instead of practicing just one defense,
you have to practice all four.

And practice and practice.

Sometimes,
if one of the potentials almost works,
you have to practice it a lot.

Sometimes,
if the potential is a disaster,
you just have to practice a little,
every once in a while,
just enough so that you realize…
here it comes…
WHAT DOESN’T WORK!

You see
it’s not enough to know what works,
you have to know what doesn’t work.

Not to make what doesn’t work intuitive,
but so that you can see what doesn’t work in the middle of combat.

This is a different level we are talking about.
We are not talking about being cause and effect,
we are talking about causing the cause and effect.
We are talking about a ‘master viewpoint.’

When somebody punches you shouldn’t react,
you should move with them,
in tune with them,
developing the block or counter or whatever
in the middle of the moment.

This is mushin no shin,
or mind of no mind.

This is when your memories
memories that you might have implanted yourself,
don’t distract you.

This is when you do purely and truly.

And it is really amazing
when you find yourself in the middle of one of these moments.

I was working out with a couple of fellows the other day,
using sticks.
These two fellows had worked out for years,
knew each other well,
knew the material well,
but when it came time to demonstrate,
the teacher turned to me,
because he could feel that I was more ‘in the moment,’
and showed the technique on me.

Simply,
I didn’t hesitate,
or make mistakes,
I just stayed with him,
moving in time with him,
moving in tune,
and even when he started deviating the technique,
there I was,
sticking with him,
making it work.

So you see,
you can’t just practice the martial arts,
you have to understand them.

You can’t just practice a technique,
you have to practice ALL of the techniques,
all variations.

You can’t train yourself to just respond,
because then you are training yourself
to be effect to the other guy’s cause.

Instead,
you have to train all the potentials,
even the mistakes,
then mistakes won’t fool you,
or otherwise trip you up.

The best place to do
what I have told you about here
is the Matrix Karate Course.
The Matrix of Blocks,
which is just one small item on this course,
goes directly to the heart of this.
You will then understand how blocks work,
how they work together,
and how to define what mistakes are
so they never trip you up.

Here go.

http://monstermartialarts.com/martial-arts/matrix-karate/

HAPPY WORK OUT!

Al

http://monstermartialarts.com/martial-arts/matrix-karate/

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