How Fast Can You Get to Black Belt?

Truth in Martial Arts!

Pretty fast, if it wasn’t for progress.

What progress?

Well, Chuck Norris got his black belt in a year and a half.

Mike Stone, who many considered the best karate fighter in the world, got his in about seven months.

Of course this was back in the sixties, before…progress.

The progress I am speaking of was the Tracey Brothers.

The Tracey Brothers are responsible for the spread of karate (Kenpo) throughout the United States. I believe they had over a thousand schools.

But with that expansion came certain business decisions that weren’t always the best.

For instance, people came in, signed up for Kenpo karate, then left. It was a struggle to keep students. Their solution was to hire a fellow from the Arthur Murray Dance Studios to write up contracts for them. The contracts tended to keep students from leaving, and they were designed for four years. The length of a car contract at the time, which led to many referring to these contracts as ‘car contracts.’

The system was expanded to eight belt levels to black belt, and the number of techniques was expanded to 40 techniques per belt. Teaching the student a technique or two a week took about four years. Thus, it now took four years to get to black belt, instead of a year. So the reason it takes so long is rooted in the greed need for money, not for any reasons having to do with quality or how long it takes a person to ‘mature’ as a martial artist.

To be honest, there were some truly good martial artist back then. For the instructors were not far removed from the original Asian teachings. But, as time went on, and instructors no longer spent their lives learning, but could absorb a system in four years, and then go start their own school, the quality of instruction, and the the quality of the resulting students, tended to fall badly.

I was very fortunate. My instructor was taught by the original Asian instructors, fellows who spent their lives in the martial arts, fellows like Mas Oyama, who could kill bulls with a single chop.

And, as time went on and I saw the quality of the martial arts falling, I focused on the arts and techniques from before the four year contracts. That’s how I came up with the concept of Matrixing, the idea of organizing the martial arts with logic. The idea that a fellow could earn a black belt in a year, or less.

My idea was successful, so successful that I have over 700 pages of wins, of testimonials to the efficiency of my matrixing methods. You can read a few of them on the lower right hand column of the home page of MonsterMartialArts.com. Or you can read a bunch of them here…http://monstermartialarts.com/testimonials/.

Of course I got attacked a lot for my ideas, people had invested a lot in four years and didn’t want me to speak ill of the ‘method’ that got them there.  And, a lot of people think that they are right and I am wrong, simply because people have an aversion to learning anything new.

But, the proof is in the pudding. You should go to the testimonial page and do a search for your art. There’s a chance somebody who studied your art got enlightened by my matrixing methods.

Well, that’s about it for this newsletter, you guys and gals have a great work out, and may the Matrix be with you.

Al

PS ~ A little treat, here’s the real way to do the second technique from Pinan/Heian one.

https://youtu.be/ORI5NNLXm70

Learn the right way, the matrixed way, to do your martial arts, and you will end up chuckling at some of the so called ‘masters.’

A Caution: When you order one of my courses, all my videos are on Youtube. They should stay up there forever. EXCEPT, sometimes Youtube says ‘This video is no longer there!’ But it is.

If a link doesn’t work, try copy and paste.

If C and P doesn’t work, try a different browser.

If a different browser doesn’t work, try a different computer.

If a different computer doesn’t work, just try loading it a few times. (This is the method that worked best for me.)

If all else fails, write me at aganzul@gmail.com.

Have you read Insanica?

Making Tai Chi Chuan Work

If your Tai Chi doesn’t work in combat it’s not real Tai Chi…

People do Tai Chi and they think: I just have to move slow. But they don’t understand that there’s more to it, or the purpose of it.

You move slowly so as to focus on your movement, the circle of your hands, the shift of weight, making the body into a harmonious whole. And what THAT does…is calm the mind so that it can be eliminated from the movement.

If you focus on, for instance, the arc of the hands, as if they were slow moving sparklers having a trace path in the air, you are looking instead of thinking.

You don’t want to think, for thinking, using the mind, separates you from reality. You want to look, leave the mind behind, and, eventually, you will see reality as it is.

The really cruel trick is that people say, ‘Oh, I understand that, but it doesn’t apply to me, because I see reality.’ They don’t realize they are the butterfly dreaming they are human.

You are born, you bring a certain mind with you. You grow up and are instilled with patterns, filters, and all sorts of mind debris. That is what SEEMS real, but that is not real.

The ONLY way to free yourself from the mind traps that every person on earth has is to follow a discipline, one that is designed for undoing the traps. Not just ballet, but something that has a partner. Not football, because it is not fighting.

It, the discipline of the martial arts, analyzes motion until you see through the universe for what it is.

Any time you space out, any time somebody says something and you can’t follow it, any time you read something and don’t understand it…that’s your mind.

Here’s a piece of my ‘Five Army Tai Chi Chuan’ course for you to ‘think’ about. But don’t think too long, life is passing you by. You can get it at MonsterMartialArts.com.

TCC 1 sample

Here’s the link to the Tai Chi course…

2c Five Army Tai Chi Chuan

White Crane Gung Fu Becomes Karate!

What Happened to White Crane Kung Fu?

Newsletter 1138

Another day in paradise! Paradise, of course, being the chance to work out!

One of the big points of understanding matrixing is understanding how the martial arts came to be a mess. While there have been brilliant advances in this mess, there have also been some disastrous developments. Let’s talk about White Crane Kung Fu.

Legend has it that White Crane was invented by Fang Qiniang, a young lady whose father taught her Shaolin kung fu. Fang was supposedly in a field one day when she saw a crane battling a snake, and was inspired.

Maybe, maybe not, makes a great story, and…why not? Even today that image has power.

BUT!

White Crane developed, over the decades, into Karate. So let me ask the question? How did something developed by a soft, fragile girl become a hard core, impact oriented type of martial art?

Don’t get me wrong, I’m not saying ladies aren’t capable of becoming hard core brutes (they are the more vicious of the species, after all), or that they can’t embrace brutal training methods.

I’m asking how an art that relied on guiding the attack, misdirecting the opponent, undoing balance and finding workable striking spots became an art that relies on power, power, and then more power?

How did an art developed by a gurl, with a ‘lesser’ frame and all her delicate, inner sensibilities, became a ‘You bash me, I bash you, Grrr!’ type of martial art?

And while there are styles of Karate that are softer, more liquid, and not so brutal, consider arts like Kyokushin, or Uechi Ryu.

Somebody had a bright idea. And that bright idea was tempered by young turks who were inordinately proud of their muscles and swagger.

When I developed Matrixing, which is the application of logic to the martial arts, I was struck by how, with slight adjustment, the need for power could be subverted into unbalancing an opponent, re-angling an attack so no impact was needed.

Was I approaching Karate’s roots? Was I onto some of the concepts discovered by some (choke) sissy girl? Oh, my suffering manhood!

I’ve included a snippet from the Monkey Boxing course offered on my substack channel/newsletter (monstermartialarts.substack.com). In it I want you to see how instead of relying on a hard block, a block practiced by millions and yet is rarely seen in a real fight, has been replaced by a simple slap, and a substitute for a block.

Heck, this slap/grab concept is in every art, yet almost nobody practices it, let alone understands how a hard art could be grown from the soft.

Check it out, consider if your art has gone over to the ‘hard side,’ and then consider whether 8 bucks a month (less than a meal at MickeyD’s) is too much to pay for a whole new different look at the martial arts.

All right kiddies, It’s the end of summer, winter is around the corner, and it’s time to make yourself strong enough to last through those cold, winter months!

Work out! Darn it! And make yourself a new person! One who is kind, considerate, and able to beat up bullies with a smirk and a laugh.

May the Matrix be with you.

Have a great work out!

Al

A Caution: All my videos are on Youtube. Should stay up there forever. EXCEPT, sometimes Youtube says ‘This video is no longer there!’ But it is.

If a link doesn’t work, try copy and paste.

If C and P doesn’t work, try a different browser.

If a different browser doesn’t work, try a different computer.

If a different computer doesn’t work, just try loading it a few times. (This is the method that worked best for me.)

If all else fails, write me at aganzul@gmail.com.

Have you read Insanica?

Monkey Self Defense Applications

Newsletter 1134

Substack and the Butterfly Kung Fu Course

Good morning!

I’ve migrated the newsletter to Substack, so let me know if you experience any problems. (aganzul@gmail.com)

I’m offering the Monkey Boxing course (225 videos) to anybody who signs up to be a paid subscriber. Everybody should be a free subscriber already, so let me know if there is any confusion about becoming a paid subscriber. 

I’m preparing the Shaolin Butterfly course for release as a video course book.

A video book will have have all the links to the course videos in the book.

The course has a half a dozen short two man forms. Work hard on these, because if you don’t get those basics you won’t be able to do the advanced techniques.

Here’s a sample of the advanced techniques. There are four 12 minutes self defense segments, and this is one.

9 Square Monkey Form Applications ~ 15:52

https://www.youtube.com/watch?v=mBl3YbH1VD0

A warning: All my videos are on Youtube. Should stay up there forever. EXCEPT, sometimes Youtube says ‘This video is no longer there!’ But it is.

If a link doesn’t work, try copy and paste.

If C and P doesn’t work, try a different browser.

If a different browser doesn’t work, try a different computer.

If a diff computer doesn’t work, just try loading it a few times. (This is the method that worked best for me.)

If all else fails, write me at aganzul@gmail.com.

Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

Have you read Insanica?

What is Your Martial Arts Body?

Newsletter 1132

Large Body v Small Body in the Martial Arts!

I didn’t think about this when I started kenpo way back when, but what martial arts is my body actually suited for.

Karate has two main styles, one is for large people, and the other is for small people.

Kenpo, though it was designed by Parker (a large man) is more designed for smaller bodies. I watched large and small men practice Kenpo, and the large men always seemed a bit clumsy.

Kung Fu was designed by a people who seemed shorter in stature,

Aikido takes a certain speed of whole body motion, better for a small body, but…Seagal is a large body.

Uechi Ryu plants the body solidly and generates power. A large body seems more capable of generating power.

Kyokushin is based on power, which seems better designed for large people.

And so on.

I think the argument is solved, or at least better addressed, when one considers whether an art is more efficient if it based on speed, or power.
Speed would seem to benefit the smaller man, power the larger man.

And, I suppose the argument is moot considering a couple of other things: what arts are available for you to study? And, what do you prefer.

Ultimately, however, it is up to the human to learn to use his/her body in the most efficient way, and this is a matter of practice, of discipline, of learning to think, of learning not to focus on the motion of the body, but on being in one place (posture), then, with no effort, being in another place (posture).

One must ‘monkey see monkey do’ his first martial art to learn it, but eventually one must create his own martial art, one that matches his body. Click on this…

How to Create Your Own Art

Neutronic Thoughts: There are three great mysteries, to fish it is water, to birds it is air, to man it is himself.

Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

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Have you read ‘Science of Government?’

Real Martial Arts Power!

Newsletter 1131

Making the Body Glow with Power!

Let me give you a win, then tell you something that will change your life…

Shihan Al, my wife doesn’t allow me to even do Katas in my garage Dojo 100%, when she is home, because it shakes the house….Katas…no contact with anything but air and a cement floor. That is from 15 years of applying your concepts.

Now, that’s a win!
And when you understand it’s not mysterious. It does take time, even with Matrixing, but shaking a house like this is doable, and even easy. You just have to understand one thing.

Your body is a machine. A machine functions because of just a few basic-basics. These basic-basics, in the martial arts, are described in the beginning of most of my books.

Your body has two grounds, legs which lead to the ground and up and down which energy flows.

The energy goes to the Tan Tien (the one point), a point about two inches below the navel.

From the tan tien energy goes out to the rest of the body.

Assuming corrected poses the structure of the body transmits energy. The key is in ‘corrected.’ For correct stances you need such things as matrixing, body testing, and fanatical adheerence to the Basic-Basics.

And that’s it. Every time you do your form energy goes through your body, builds, and eventually shakes the world. Every stance connects your body to the ground, and the energy flows between the earth and the body. Every strike enables you to strike better, with more energy.

When doing Pa Kua Chang, to give you a real example of this procedure, I would walk slowly, slower than the videos on youtube show, and I would imagine a tennis ball going up my leg as I moved my weight onto the leg. When I lifted the leg I would imagine the ball going down my leg. When my legs were next to each other, midway through the step, i would imagine the ball in the tan tien. Within a few months my legs were totally changed, and my body was literally glowing with energy. People actually noticed this and asked what I had done to my skin.

I hadn’t done anything to my skin, I had just energized my body.

But it takes matrixed knowledge, and fanatical discipline to make this work. You can’t just do it a couple of weeks and wonder why things aren’t happening. Take a few months, do walking the circle and the postures as I recommend on the PKC video, then you’ll start to feel the massive changes within.

Here’s the obligatory ad…

Pa Kua Chang

https://monstermartialarts.com/martial-arts/butterfly-pa-kua-chang/

Neutronic Thoughts: When you fight somebody you have to overcome two shields, his emotions, and your emotions.

Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

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Have you read ‘Science of Government?’

Great Martial Arts Movies!

Newsletter 1130

For a Chop Sockie Big Time!

I love a good martial arts movie. I remember the first movie to hit the American shores: Five Fingers of Death. To this day I remember with fondness the trampoline kicks and the glowing hands.

Enter the Dragon holds up to this day. Bruce may be the quintessential martial artist, but Donnie Yen, Jet Li, Jackie Chan, and a host of others are better than him physically, and the stunts have far surpassed those old times.

The BEST martial arts movie is probably ‘The Raid.’ Start to finish a chop sockie of epic proportions.

This week I watched The Furious, and I was gladdened. It won’t be long before movies such as this surpass even The Raid.

In The Furious a man’s daughter is kidnapped, and he goes on the hunt. First he finds the garbage truck which is transporting her, and he gets in a massive fight that takes place in alleys and on the back of the garbage truck.

Then he goes to the police station, but he’s a mute! Can’t describe much, and the police, as you might guess, are in on the human trafficking.

So he tracks down the culprits himself, and a massive fight in a bar ensures. For a moment it looks like he’s going to lose, but then he pulls out that old, trusty, Martial Arts weapon: the balpeen hammer!

But just when he is about to win he gets in a fight with a fellow who happens to be one of the good guys. They inflict mayhem on each other without knowing they are on the same side, and then the meanest, toughest, baldest baddest guy in the world shows up…

AND THAT’S JUST THE FIRST FIFTEEN MINUTES!

I saw the movie on Tubi, which, as you know, is FREE!

So go for it. Feast your eyes on this gem and get inspired!

Okay, I apologize, I know it’s bad of me, but…I got to sell something! So here’s the obligatory advertisement. When violence isn’t enough and you need a bit of technique…

Matrix Kenjutsu!

http://monstermartialarts.com/matrixing-kenjutsu/

Neutronic Wisdom: When you get mad you’re really only getting mad at yourself. Figure this out and your life will be filled with peace.

Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

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(top of the left column!)

Have you read Neutronica?

Martial Arts Core Technique that nobody Teaches

Newsletter 1129

Martial Arts Core Technique that Nobody Teaches

Actually, there are two martial arts techniques, or movements that are at the core of ALL martial arts, and yet nobody teaches them. To be upfront both of these techniques are in my, Dharma Combat. I’ll tell you about one here, the one that is in the book, but which I don’t emphasize.

When you do your forms the basis of movement, especially in the first forms (Taikyoku and Heian One), the basic movement is to take a step. You step forward and do a low block, you step forward and do a punch. Later on you might stand in place while you do a technique, or perhaps change or shift your stance, but the basic movement this is all based on is…to take a step forward.

When, in a fight, do you take a step forward? When do you face a person with your left foot forward, and step all the way in with your right foot, to attack?

And, of course, you simply don’t step forward to defend. Not at all.

There are advanced techniques where you will step in to affect a throw, or some other technique, but the basic movement of stepping forward is something you will almost never do in fighting.

So what do you do? You shuffle. You push with your back leg and step with the front leg when you want to attack, when you want to close distance. And how many arts teach that? Almost none.

I know that Hsing i teaches shuffling, and Pa Kua does, after a fashion. Bu I can’t think of any other art which promotes shuffle as the main spring of attack.

You will find individual techniques here and there, but virtually no art provides drills and exercises in how to shuffle, which builds up the precise muscles necessary to a good, ground closing shuffle.

If you are close, you can’t step forward with the rear foot, you are too close.

If you are too far away, the fight hasn’t started.

If you are in fighting distance you will edge forward in small shuffles and motions until you can launch your attack.

In Dharma Combat I provide three very small forms, seven movements each, which drill you on shuffling, and potential movements which result or are possible after shuffling.

And, in that book I go into, in depth, the hand movement that is at the core of virtually ALL martial arts techniques. I show this technique with links to seven videos.
Click on the link below.

DHARMA COMBAT

It’s raining in Florida now, so I think I’ll go out and practice walking between the raindrops without getting wet.
Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

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Have you read Insanica?

BTW ~ I only do video testing if you have prior experience and have a partner to demonstrate techniques on.

Everybody was Kung Fu Fighting!

Newsletter 1128 (sign up on the top of the column on the left)

How I Learned Kung Fu the Hard Way!

Great song by Carl Douglas, it was popular when I received my Black Belt. I’d be driving from Redwood City to San Jose for my lessons, and that song came on, and stayed in my head. It stayed in everybody’s head. The only problem was that I didn’t know any kung fu, I was studying Karate!

A few years later I was teaching Karate in Santa Rosa, and I looked out the window of my dojo and some guy (name of Alan) was doing Kung Fu. I went out and talked to him, and he ended up teaching me an art called Ton Toi. Ton Toi is a northern style of kung fu which means ‘springy legs.’ It was a series of ten techniques done in a line. There was appropriate mythology behind it. Monks in the hallways of castles, prisoners in a long, narrow prison yard. The techniques weren’t very good, but the lines were phenomenal for developing leg strength. It was a northern style of Kung Fu, and they always say, ‘Legs in the north, arms in the south.’ I practiced those lines for quite some time, got quite good at them, but there was a problem with them. As I said, the techniques weren’t too good, but being a basic sort of style Ton Toi was supposed to prepare you for the Southern Style, but Alan didn’t want to teach me the southern style.

A few years pass and I’m teaching Karate in Tujunga, Ca. A fellow walks in, he was fresh out of the big house, didn’t have a job, but he said he would teach me southern style if I would teach him Karate. Normally, I wouldn’t have, but this guy, Richard Armington, was different. He had studied the real stuff, Fut Ga (Five families style) with Arther Lee in Hawaii. I spent a lot of time learning a variety of forms, and it was great stuff. There was a problem. The techniques were sound, but they were based on a circular motion, and they weren’t as efficient as the more linear motion techniques of Karate.

A few years pass, and I develop Matrixing. Matrixing was not an instant thing, it developed in me over several decades. Anyway, I matrixed Karate, worked out like a champ, and then I started looking at my Kung Fu. The Kung Fu forms were arm swinging things that covered a lot of territory with random stepping. And the techniques could be made more efficient if I put them on a matrix, fixed up some of the blocks, and tightened the circles.

I fixed the footwork by putting them on the Nine Square pattern. This was the first time I used the Nine Square, and I was very pleased with how that pattern made forms more logical, easier to remember, and the techniques easier to apply. Also, fixing Kung Fu like I did was a very important step between karate, and the more pure fighting forms of styles such as Monkey Boxing and Nine Square Diagram Boxing.

My intention, with Kung Fu, which I call Shaolin Butterfly Kung Fu, was to apply matrixing to make a more efficient type of Shaolin Kung Fu, and to take advantage of the body building properties of kung fu, and, most of all, to make it easier for anybody to learn, and to apply.

If you’ve already done the Matrix Karate course, and you want to see first hand how to apply matrixing to other arts, Shaolin Butterfly is an excellent way to go. And if you don’t care about matrixing, but are just more interested in powerful, super smooth Kung Fu, click on the link below.

SHAOLIN BUTTERFLY KUNG FU

Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

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Have you read Insanica?

BTW ~ I only do video testing if you have prior experience and have a partner to demonstrate techniques on.

Knocked Out by a Push Up!

Newsletter 1127

Single Finger Karate!

I was talking to one of my martial arts classmates and he kept chuckling.
“What’s so funny?” I asked.
He said, “I was up at Bob’s house,” Bob was Bob Babich, our instructor, “And he was walking around all dazed. Couldn’t figure out what was going on. He had been knocked out.”
My instructor? Knocked out? Impossible! Who had done it?
So I asked, “Somebody knocked Bob out?”
“Yeah. A tree.”
A tree? WTF?
Apparently Bob had been practicing jumping spin kicks. He had jumped under a low hanging tree, hit his head on a branch, and woke up a half hour later.
I had to laugh at that. Even the Gods are human, you know?
I wasn’t laughing a couple of years later.

Bob could do push ups on single digits. Just a single forefinger on each hand. Down and up, down and up.
I wanted to be able to do that. So I began to practice. Push ups on hands, on fists, on knuckles. I was getting good, and I was able to do push ups on two digits on each hand, the index finger and the middle finger. My index finger being shorter than my middle finger, I would fold a cloth so there was more equality between fingers.
Down and up, down and up, I was getting there.
Came the day when I felt I was ready for the single fingers push up.
I straightened out my index finger and assumed a push up position. I was up! I was in a push up on single fingers! All I had to do was go down and up, and…and…oh my God! I was going to do it.

A quick break, with me actually holding that position, for me to explain something.
Single finger push ups aren’t about power. They are about balance. Your fingers can’t bend in the slightest. Too much weight, they’ll collapse. I had the balance, but I was using way too much power. Are you ready for what happened next?

I tried to go down, and my wiggly, shaking fingers gave way. All that power, and I did a face plant, and…I knocked myself out.
I was probably only out for five minutes, but I was definitely gone. I woke up and checked my teeth. All there, but, damn! That had hurt! All that karate power right in my face.
So I’m probably the only guy in the world who’s knocked himself out doing a push up.
I would have preferred a tree. There’s a certain glory to flying through the air, even if you don’t make it. But to face plant on a push up? Sheesh!

Time for that (sigh) obligatory advertisement!

You know, I put the Black Belt Course together to showcase the Matrix Method. On that course I start with the basics, go into the basic forms, the two man forms, and reveal the actual matrix that is used for blocking. It is a comprehensive course, but here’s the thing…once you see it, do it, you can apply what I’ve done to any system.
You can make extremely efficient two man forms.
You can find out if your system has any gaps or mistakes.
And it’ll change the way you think.
We’re talking instant intuition.
Because the human mind does not like what is random. It doesn’t want to remember hundreds of techniques, especially if they don’t have much to do with reality, if they don’t have anything to do with fighting.
Probably the greatest gift you can give yourself is the Black Belt course. You don’t have to spend three or four years and maybe, if your system is actually good, develop real martial arts intuition. You can take advantage of my nearly 60 years experience and get it within months!
Of course, I can’t guarantee you will knock yourself out with a push up…but click on the link below and read about…

The Black Belt Course

Thanks for being martial artists, and may the Matrix be with you.

Have a great work out!

Al

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Have you read Insanica?

BTW ~ I only do video testing if you have prior experience and have a partner to demonstrate techniques on.