Tag Archives: pa kua chang

Martial Art Forms, Techniques and History

The Martial Arts Encyclopedia!

As you may know
I have republished the five books
I refer to as the Martial Arts Encyclopedia.
I wrote them over a twenty year period.
I wrote them out of order,
though they are in the correct order as published.

PAN GAI NOON
I wanted to know where Karate came from
A fellow once told me
if you don’t know sanchin you don’t know karate.
I describe the two essential forms
Sanchin and Seisan
and describe the theory of technique
so that one understands how to evolve technique
out of the forms,
This was the introduction of X, Y and Z
in circular form to the techniques.

KANG DUK WON
That was the art I was trained in.
I wrote a book on it because
it was closer to the Okinawan karate,
having gone through the Korean route
instead of the Japanese.
The Japanese added several things
which are questionable.
Lower stances, higher kicks,
stylized forms and freestyle.
The art engendered intuition in me
and enlightened me.

KWON BUP
I wanted to know the truth of Kang Duk Won,
and saw that it was built of two arts,
the original KDW,
and my instructor’s art of Kwon Bup.
Was Kang Duk Won what had worked most in me?
Or Kwon Bup?
I separated the two arts to better understand this.
I discovered a linearity in the Kwon Bup
that was not in KDW.
I found the techniques more direct,
and more powerful.
If KDW was a hammer,
Kwon Bup was a point on the hammer.

OUTLAW KARATE
I wanted to combine KDW and KB.
I wanted a superior art that could be learned faster.
I also knew that Kenpo had lengthened
the time of training to black belt
to four and more years.
In the KDW people were learning in two years,
why should it take longer?
And there were stories of people
learning Karate in one year.
I wanted to make a black belt in one year.
I was able to take five out of six original students
to black belt in one year.
There was total power and in depth intuition.
I was beginning to use different training methods on the freestyle
to bring them along faster.
I began to appreciate how trust makes for faster learning.
I also saw that one doesn’t need contracts to keep a student.
If you give them the right data
at an adequate speed…it works better than a contract.

BUDDHA CRANE KARATE
I broke down what I had been teaching,
I aligned the methods with the ten lines of Ton Toi
I made a form that could be changed
to accommodate each line
similar to the Hsing i method.
This was my initial breakdown of the art
into a logic that was easy to remember
and therefore easier to learn.
It retained the workability of my earlier arts.
It was my first attempt at arranging the moves
in logical order.
This was a precursor
to the Boolean Truth Table I was eventually to use
to matrix any art.

Those are the five books that make up my ‘encyclopedia.
There is a little history,
but more important is that arrangement of techniques.
Which techniques were the same from art to art,
which were different?
How does theory morph into practical technique.
How does (did) the art change with the various evolutions.
What were the effects of various countries,
how do they blend together,
when do they overlap.

There is also the added bonus of seeing the mistakes I made.
A person who sees mistakes learns faster
than somebody who ‘does it right’ every time.

You can find these books on Amazon
simply type in the title,
(for instance, ‘Pan Gai Noon.’)
or type in the title and my name (al case)
(for instance ‘Kwon Bup Al Case.’
You can also find them on Barnes and Noble
and other sites.

You don’t have to spend five years on each art,
simply do the forms,
do the techniques,
then move on to the next art.
Specialize in what interests you
and put the rest aside.
Most important,
apply the lessons to whatever art you study.

No single art is totally right…
it is up to you to make your own art,
and to make that art right.

Now,
thanks for being students of the arts, and…
have a great work out!

Al

PS ~ sign up for the blog at
https://alcase.wordpress.com

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

FOLLOWING IS A CATALOGUE OF
THE MARTIAL ARTS BOOK I HAVE REPUBLISHED!

THE LAST MARTIAL ARTS BOOK
Amazon

Barnes and Noble
https://www.barnesandnoble.com/w/the-last-martial-arts-book-al-case/1146217369?ean=9798227617200

ADVANCED TAI CHI CHUAN FOR REAL SELF DEFENSE!
Amazon

ADVANCED TAI CHI CHUAN FOR REAL SELF DEFENSE!
Thriftbooks
https://www.thriftbooks.com/w/advanced-tai-chi-chuan-for-real-self-defense/53758888/?srsltid=AfmBOoqJyWkLdO18y0RFUxGoTb3CDXCgAXTk-VB_hvu2NHQwKZOqPBmK#edition=71844464&idiq=72002772

FIVE MARTIAL ARTS!

HOW TO FIX KARATE! (1)
Amazon

HOW TO FIX KARATE! (1)
Thriftbooks
https://www.thriftbooks.com/w/how-to-fix-karate-book-one/53863237/?srsltid=AfmBOooDYRdXJmWmsSkzxxtHX9PDU2c6L1kFl2cSe0tH0MWpwhjvqBk5#edition=71905055&idiq=72156439

HOW TO FIX KARATE! (2)
amazon

HOW TO FIX KARATE! (2)
bookshop
https://bookshop.org/p/books/how-to-fix-karate-book-two-al-case/21839401

BLACK BELT YOGA
amazon

BLACK BELT YOGA
Barnes & Noble
https://www.barnesandnoble.com/w/black-belt-yoga-al-case/1121852191

THE BOOK OF MATRIXING
https://www.amazon.com/s?k=THE+BOOK+OF+MATRIXING&crid=306WX8EKZIXJE&sprefix=the+book+of+matrixing%2Caps%2C167&ref=nb_sb_noss

THE BOOK OF NEUTRONICS

THE BOOK OF NEUTRONICS
BooksaMillion
https://www.booksamillion.com/p/Book-Neutronics/Al-Case/9798227766922?id=9287395896456

HIDDEN TECHNIQUES OF KARATE
Barnes & Noble
https://www.barnesandnoble.com/w/hidden-techniques-of-karate-al-case/1146377079

HIDDEN TECHNIQUES OF KARATE
Amazon

Back in the Beginning of Kenpo…

A Bit of Kenpo History

I began studying Kenpo in 1967. 

It was so unknown that it was called Kenpo Karate so it could be identified with the art of Karate. Not that that many people knew what karate was.

Kenpo was born in Japan. There are many lineages, but the specific Kenpo that is so widely known these days came from James Mitose, Thunderbolt Chow, Ed Parker, and finally, an instructor near you.

Martial Arts were not studied widely at the time, and usually it was fellows who were tough, who looked forward to the street fight, who studied them.

Kenpo came from Okinawan Karate and Japanese Jujitsu. There were other sourcss, many and varied, but the American style Kenpo you might study was likely based, at least in the beginning, on these arts.

Right from the outset Americans realized that Kenpo could be marketed more easily through tournaments, so we studied our freestyle rabidly, and we looked forward to the weekend trips.

For such a violent art, the participants at these tournaments proved to be a polite bunch. Schools were located a distance apart and there wasn’t much competition. Instructors actually looked forward to seeing each other, to comparing notes, and even learning a ‘secret’ technique or two.

And, outside of school, fights did happen. Proud warriors, Kenpo stylists, all martial artists, were happy to step up to a challenge, take umbrage at a veiled insult, trade fists with a goon.

We were more rabid back then. We didn’t do ten or twenty kicks and think we were done, we would do a couple of hundred and chide ourselves for being lazy. We would do forms by the hour. See if we could do 60 forms in an hour.

In short, we would exhaust ourselves. We would go for a run, do some weightlifting, and then freestyle for a couple of hours in class, and know that we were doing it right.

Mistakes? We made a ton of them. But over time we fixed them; the martial arts tend to be self fixing; the turn of the foot, the line of the wrist, the physics of the universe corrected us and were our teachers.

And now, near fifty years later, all we wish is one thing: to do it all again. To do Karate and Kenpo, to throw and kick and punch to our hearts content.

And we feel sorry for all those people who quit early, or who were born too late, or who were just too lax in their training to really find the truth: You are what you do, that is your measure, and that is your worth.

If you want a REALLY good book on Kenpo, consider ‘How to Create Kenpo’ by Al Case. It has the real history, the one you don’t hear much about, plus a section on how to do forms, plus 150 kenpo techniques, thoroughly analyzed so that you can be the best Kenpoka you can be. That’s How to Create Kenpo. The hard work is up to you.

SPECIAL NOTE: How to Create Kenpo went out of print, but it is due to be republished in the very short future.

EXTRA SPECIAL NOTE: Here is a website with the nasty history behind Kenpo. The Man Who Killed Kenpo. The comments are truly amazing!

Don’t forget to join the blog.

 

Find the True Martial Art

The True Martial Arts

The Secret of the Martial Arts is how to achieve Awareness. The Secret of All Life is how to achieve Awareness. Thus, the Secret of Life is within you, and all you have to do is figure out how to grow awareness.

This is such an easy thing, so simple, and yet people overlook it. People think that they will be better martial artists if they just work out more, build their bodies, can beat up the other fellow. Nothing could be further from the truth; this is actually diametrically opposed to the truth of themselves as martial artists.

Yes, muscles should be used and grown, but only to a certain degree. They are important only to the degree that they enable one to make themselves aware. One should work the body to make it larger and stronger, but use it to achieve awareness of what the muscles are and are doing.

Yes, forms are important, but only to the degree they enhance awareness. As one does forms one becomes aware of how to move the body. Eventually, with correct practice, one will transcend the normal ways of moving the body and discover whole new concepts of motion.

Yes, martial arts applications are important, but only to the degree that they bring awareness of how to deal with the problems presented by an attacker. One discovers, through martial arts techniques, that the real problem has to do with analyzing and handling incoming forces. This makes one into a more aware being.

Yes, freestyle is important; the combative disciplines wouldn’t be real if they weren’t combat ready. However, the big problem is that people start to love combat for the sake of combat, and not as a method for becoming more aware of how to use the body…even under stress. This is called the Joy of Combat, and is contrary to the real path of the true martial art.

The real key is that one should be learning the martial arts as a discipline to explore ones own self. When one loves combat more than learning they are not learning the art. When one engages in combat to beat the other person, they will never uncover the true spirit of themselves.

The eastern combat disciplines are a key, and the whole body is the lock. Do the martial arts and unlock the bodies true potential. Still the mind and discover the spirit that is the truth of you.

Check out The Master instructor Course at MonsterMartialArts.com. Make sure you subscribe to the newsletter.

 

Figuring Out Martial Arts Footwork!

Analyzing Martial Arts Footwork!

Don’t forget to sign up for the newsletter at Monster Martial Arts!

Recently had a question
about how I came up with my footwork,
specifically the Nine Square pattern.
It’s all geometry.

The foot only goes a couple of ways.
Right foot forward or back
Left foot forward or back.
Yet the possibilities are endless.
I started with a square,
‘cornerwork’ I called it.
I came up with 16 possibilities of motion
all based on the right/left forward or back.
I spent months exploring those 16 possibilities
through the various stances.
And explored the various arm movements
that could effectively be done.
A lot of work just there.

I put four corners together and came up with one pattern.
All other patterns were repeats and combinations
of the 16 cornerwork foot patterns.
That’s right, just one,
and it was cool.
It consisted of a cloverleaf,
and spinning and stepping over my front foot.
just those two steps to it, and that was all.

I put the four squares into nine squares.
It was a tic tac toe in a box.
It had eight points (not the corners)
which aligned with Pa Kya circle walking.
And there it was.

Why go further?
Why dance all around the room,
thinking I had created intricate patterns,
when the purpose was to explore the effective potentials
of either the right foot or the left foot
moving either forward or back.
And to drill the basics intensely.

So when you play with the nine square pattern,
especially in the books
Try working them on a simple square,
or on a foursquare.
You understand them better,
and you’ll see what I went through,
and you’ll be better.

The Last Martial Arts Book
(get the version with five hours of video links!)

and

Advanced Tai Chi Chuan for Real Self Defense!

Came up with a little bit of advice,
here go…

If you train to fight, you’ll get in fights.
If you train to beat up people, you’ll beat up people.
If you train to teach people, then the world will listen.

Have a great work out!

Al

And thanks to everybody who picked up my book,

Advanced Tai Chi Chuan for Real Self Defense!

Don’t forget to give me five stars.
Those ratings help my sales.

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

‘The Last Martial Arts Book’ has 12 ratings for 5 stars.
(There is a video version of this book with no stars yet)
My two yoga books have 9 ratings between them for 5 stars.
‘The Book of Five Arts’ has 8 ratings for 5 stars.
‘The Science of Government’ has 7 ratings for 5 stars.
‘Chiang Nan’ has 6 ratings for 5 stars.
My novel, ‘Monkeyland,’ has 5 ratings for 5 stars

That’s a lot of good ratings
so hopefully you’ll find the book that works for you.

How to Fix Karate:
A Karate Training and Workout Book
(Two Volumes)

Identifying the Bad Guys…

Who are the Bad Guys?

Got a couple of things to cover this issue.

First…
pick up the free book,
RAT SYNTHESIS: SOUL RANGE: THE ART OF VICTORY: BECOME A DHARMIC WARRIOR

It is by Matt Russo.
and it is free for a week,
so check it out.

Second…
I was thinking the other day,
how do you tell the good guys from the bad guys?
It’s easy to say stay away from bad guys,
but how do you tell who is a bad guy,
and who is not?

When I was in high school
I was studying world history,
the teacher said that Hitler attacked every country.
He went to Poland, then continued attacking countries
in a circle, until he got to Russia.
He just attacked everybody.
And,
when he started losing,
he attacked his own people,
blaming the German people for being too weak.

So my criteria for identifying bad guys is
looking for the guys who attack people.

Obviously, you can have differences of opinion,
even big, old arguments,
but when an actual attack occurs,
there’s the fellow you should look at,
he might have just made a bad decision,
but he might also just be a Bad Guy.

And,
you can further identify a bad guy
by the magnitude of his attack…
does he bring a gun to a fist fight?

And,
you can further identify a bad guy
by how many people he attacks.
Does he pick fights with lots of other people?

And,
a very important element,
does he attack people who are smaller than him?

What gets interesting is something like
the weigh in at UFC.
There is trash talk,
good to generate audiences.
Then one of the guys slaps the other guy,
or some other action.
Oops. Bad guy.

There are also all sorts of key phrases that identify bad guys.
For instance:

‘That guy studies at a McDojo.’

‘If it doesn’t work in the ring it isn’t a real art.’

I know I’ve stepped on some toes here,
and there is a lot of room for opposing opinions,
shadings of some of the things I’ve said,
and so on.

Just because a guy says one thing,
or does one thing,
doesn’t paint him forever.
Guy might have just had a brain fart.

But you can generally identify bad guy remarks because
they have one common factor:
opinion over facts.

Okay.
Think about it,
argue,
find fault,
think about your politicians…
andleave comments at MonsterMartialArts.com
and don’t forget to check out Matt’s book.

Have a great work out!

Al

And thanks to everybody who picked up my book,

Advanced Tai Chi Chuan for Real Self Defense!

Don’t forget to give me five stars.
Those ratings help my sales.

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

‘The Last Martial Arts Book’ has 12 ratings for 5 stars.
(There is a video version of this book with no stars yet)
My two yoga books have 9 ratings between them for 5 stars.
‘The Book of Five Arts’ has 8 ratings for 5 stars.
‘The Science of Government’ has 7 ratings for 5 stars.
‘Chiang Nan’ has 6 ratings for 5 stars.
My novel, ‘Monkeyland,’ has 5 ratings for 5 stars

That’s a lot of good ratings
so hopefully you’ll find the book that works for you.

How to Fix Karate:
A Karate Training and Workout Book
(Two Volumes)

Advanced Chi Power Usage in the Martial Arts!

The Secret of Martial Arts Whole Body Energy!

You know,
I talk about matrixing a lot.
Figuring out all of the blank spots in your art,
getting rid of poser techniques,
making logical sense of the whole thing.
But one thing I don’t talk about enough
is CBM

CBM is Coordinated Body Motion
In oldspeak,
or mysticism,
it is using the body as one unit.

This is a solid concept,
but often discounted.
It’s faster to just pound on a bag,
make your arm muscles big and strong,
and rely on that.

It is harder to do the forms slowly,
or at least with attention to detail,
and figure out how to use the body as one unit.
CBM.

But think of this.
Instead of building the arm so it is strong enough
to knock over 200 pounds,
why not train yourself to use the 200 pounds of your body?

The point of a punch (or technique),
is to deliver weight.
So just learn to put the entire weight of your body into the strike.
It’s easier in the long run,
and when you get old and lose your muscles,
you will still have an interesting by product.
Energy.

Energy is the capacity for work.
Work can be measured by weight.
But while you’re thinking about this,
let me tell you something else,
something a little more advanced.

You use your body as one unit.
You strike with the whole weight.
It is more efficient,
less tiring,
more effective.
But,
what happens when you CBM the other guys’s body?

This is the real secret of the grab arts.
This includes aiki, chin na, and even advanced judo/jujitsu

When you have achieved sufficient CBM
you touch the other person’s body with CBM
and his body will react by moving…WITH CBM!

The explanation is simple.
Bodies are bodies,
and you can hook them together.

ten marines lifting together can lift more
than twelve marines lifting separately.
This is a proven fact.

If you’ve only CBMed a little,
you probably won’t be able to do this.
But if you CBM a lot,
your body doesn’t just operate on muscles,
it operates on energy,
and the person you touch,
their body will react with energy,
and they will unconsciously,
without even knowing it,
CBM.

Now you try the throw.
You throw the arm,
which weighs 20 pounds,
and the body goes along
which weighs 200 pounds.

This is actually how old men,
frail and fragile,
can push young men,
robust and muscular
a dozen yards with no effort.

And you really don’t want to know what a fully CBMed strike,
with all the energy pouring forth,
is like.

Now,
the unfortunate fact is this is difficult to prove,
unless you happen to cross hands with some old fellow
who has taken the time to develop his art,
and he is willing to share his art with you.

But the theory is solid,
and it’s not going to hurt you to think about it,
and maybe consider it in your training.

He strikes,
you evade,
you push and his body CBMs
and flies away.
And he will never know what hit him.
Unless, of course,
he read this blog.

If you want to learn more about CBM
I mention it in a lot of my courses,
and my arts are designed to promote CBM
even if I don’t mention it.

But I always suggest
The Master Instructor Course

That was the first time I talked about it,
years ago,
but the data is there,
plus A LOT
 of other stuff.

Everything you need to master ANY art.

BTW
thanks to all who have purchased the
The Last Martial Arts Book
(There is a version with five hours of video
but you have to hunt for it on Amazon)
Don’t forget to give me five stars!

Have a great work out!
Al

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

How to Fix Karate! (volumes one and two)

volume one is at

And volume two is at…

‘The Last Martial Arts Book’ has 11 ratings for 5 stars.
(There is a video version of this book with no stars yet)
My two yoga books have 9 ratings between them for 5 stars.
‘The Book of Five Arts’ has 7 ratings for 5 stars.
‘The Science of Government’ has 6 ratings for 5 stars.
‘Chiang Nan’ has 5 ratings for 5 stars.
My novel, ‘Monkeyland,’ has 5 ratings for 5 stars

That’s a lot of good ratings
so hopefully you’ll find that useful
find the book/course that is right for you,
and matrix your own martial arts.

Footwork Patterns in the Martial Arts

Creating Your Own Footwork in the Martial Arts!

Newsletter 1074
What I used to do was play with footwork.
I knew all the classical forms,
practiced them daily,
and one day started playing with the footwork.

Mathematically,
the theory was sound.
A line, to a triangle,
to a square, two an arrangement of squares…
the four square pattern
and the nine square pattern.
Lots of other patterns,
but I followed that logic.

I walked on a line,
used a two by four laid flat
and did the four things you can do,
step, shuffle, pivot, turn.
When I got good I turned the two by four on edge.
Try that for a kick.

I didn’t use the triangles much,
because that was for working applications on.

I used the square on top of four cinder blocks laid flat.
Then, when I could do my classical forms on the cinder blocks,
I turned them on end.
It was fun falling,
and lifting your feet so you could land without breaking something.

And that brought me to variations on four squares in a bigger square,
and the nine square pattern.
That was the point at which I saw
how the nine square could be used in conjunction
with walking the circle out of Pa Kua.

And I became aware of something.
When you use a muscle you train it in a sequence.
For instance, doing the squats doesn’t translate into the horse stance.
You’re using different parts of the muscles.
So I started looking for the sequence of motion
that used the most parts of the muscle,
and failed.
You need a bunch of different motions.
Although I did succeed in the form in Yogata,
but that was yoga, and not martial arts.
I wrote that up in a book,
‘Yogata: The Yoga Kata’
But, to continue,
when I failed finding a karate series of movements
that energized all parts of the muscles,
I put together what I had learned in

The Last Martial Arts Book: Nine Square Diagram Boxing

So check it out if you want,
maybe you’ll see something I missed
and create a form that energizes every muscle.
Or maybe not.

If you want to examine some of my other works
that utilize the nine square foot pattern,
or other types of footwork,
check out MonsterMartialArts.com

have a great work out!
Al

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

How to Fix Karate! (volumes one and two)

volume one is at

And volume two is at…

‘The Last Martial Arts Book’ has 11 ratings for 5 stars.
(There is a video version of this book with no stars yet)
My two yoga books have 9 ratings between them for 5 stars.
‘The Book of Five Arts’ has 7 ratings for 5 stars.
‘The Science of Government’ has 6 ratings for 5 stars.
‘Chiang Nan’ has 5 ratings for 5 stars.
My novel, ‘Monkeyland,’ has 5 ratings for 5 stars

That’s a lot of good ratings
so hopefully you’ll find that useful
find the book/course that is right for you,
and matrix your own martial arts.

Great Win for Pa Kua Chang!

Speaking of PKC…

A fellow wrote in a great win
after taking the Pa Kua Chang course.

Michael McCoy

Sir, I had to reach out to you and share this.
I’m a disabled vet so I’ve got time on my hands, lol.
I’ve watched some Pa Kua videos before on YouTube. I found Pa Kua intriguing, but out of my reach due to the apparent complexity,
I worked through your Butterfly Pua Kua Chang program today, I made a circle on the floor and started walking it with the 10 Hands while thinking about the points you say to concentrate on. I broke a sweat!
After that, I went back and looked at some Pua Kua videos on YouTube and low and behold, I could figure out the nuts and bolts of what was going on! It totally makes sense to me now, thanks to you. You…are an excellent teacher and a great innovator! Thank you Mr. Case!

Michael McCoy

Do you know why Pa Kua is such a great art?
Because it is already modular,
and that means it lends itself to matrixing perfectly.

This is the matrixed version of the art.
It has a hard core logic
that illuminates the classical.

Furthermore,
just walking the circle
improves the student so much,
and Matrixing PKC builds
energy in the legs,
a meditative state of mind,
an easy way to get out of the body
And once you understand them
the self defense is actually pretty incredible.

I’ve always thought of the Pa Kua self defense as
‘dark Aikido.’
But we can talk about that later.

So well done, Michael,
and thanks for your win.

Here’s the link to:

Butterfly Pa Kua Chang!

That’s…

2b Butterfly Pa Kua Chang

have a great work out!
Al

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

How to Fix Karate! (volumes one and two)

volume one is at

And volume two is at…

‘The Last Martial Arts Book’ has 11 ratings for 5 stars.
(There is a video version of this book with no stars yet)
My two yoga books have 9 ratings between them for 5 stars.
‘The Book of Five Arts’ has 7 ratings for 5 stars.
‘The Science of Government’ has 6 ratings for 5 stars.
‘Chiang Nan’ has 5 ratings for 5 stars.
My novel, ‘Monkeyland,’ has 5 ratings for 5 stars

That’s a lot of good ratings
so hopefully you’ll find that useful
find the book/course that is right for you,
and matrix your own martial arts.

Martial Arts after age 75!

Martial Arts I Study after 55+ Years!!

Happy Summer!
You should set a goal,
choose an art,
and learn it this summer.

Let me be specific in what I study,
the martial arts I practice.
I get this question every once in a while,
and if you’re not not interested,
pass on by and I’ll talk to you next month.

I do Sanchin.
I don’t do the rock hard version
where people beat on you,
where you learn to ‘take it.’

The reason for this is that
there are two sides to the martial arts,
avoid…or get tough.

I prefer to mix the two,
seek a type of harmony between them.

So the Sanchin I practice I will…
…sink the weight
…turn the hips
…execute a slap and grab motion
…and punch.

And,
I use a matrix of blocks
in applying the slap grab,
and develop the slap grab
from strike to lock to takedown.
This makes the art totally workable.

Now,
I play with other forms.
I practice with weapons
and I do other arts,
but…
Sanchin is my gold.

It gives me breathing,
dynamic tension,
grounding,
loose-tight,
a whole body,
energy,
and so many other things.

For the soft side of the art
I do the material from…

The Last Martial Arts Book:
Nine Square Diagram Boxing

It includes concepts from Tai Chi and Pa Kua Chang,
and follows the matrixing logic of Sanchin.
It is a complete ‘soft style’ art.

And,
to round out the art,
and to make sure I can use everything I study,
I do…
Rhythmic Freestyle,
lop sau (aș originated by me and described in book/video)
sticky hands (from wing chun)
Push hands from Tai Chi chuan.
And,
of course…
freestyle.

This is the actual training routine I do.
Every day.
Every day.
This routine is totally defined in two books,
How to Fix Karate (comes in two volumes)
and
The Last Martial Arts Book: Nine Square Diagram Boxing

All the instructions are in there.
including instructions on what the forms really mean,
how to make the applications work,
complete instructions on matrixing,
and so much more.

I wrote those books so I would have a path
should I choose to come back to this planet
after I die.
It’s the best I could do.

And, I should mention a couple of things.
There are two versions of The Last Martial Arts Book.
One of them has five hours of video instruction.

And,
How to Fix Karate has hours of video instruction.

And,
you shouldn’t discount the other books and courses I’ve done.
I sincerely hope that somebody gets excited
and starts researching,
seeing how I came up with this stuff.
Research is how you go deep in your understanding.

Anyway,
I thought I would mention all this
and encourage you to
learn a totally different martial art this summer!

Have a great work out!
Al

Don’t forget to check out the interview
https://anchor.fm/dale-gillilan/episodes/S1E10—Al-Case-e12e3np

How to Fix Karate! (volumes one and two)

volume one is at

And volume two is at…

‘The Last Martial Arts Book’ has 11 ratings for 5 stars.
(There is a video version of this book with no stars yet)
My two yoga books have 9 ratings between them for 5 stars.
‘The Book of Five Arts’ has 7 ratings for 5 stars.
‘The Science of Government’ has 6 ratings for 5 stars.
‘Chiang Nan’ has 5 ratings for 5 stars.
My novel, ‘Monkeyland,’ has 5 ratings for 5 stars

That’s a lot of good ratings
so hopefully you’ll find that useful
find the book/course that is right for you,
and matrix your own martial arts.

Pa Kua Chang and the American Indian

Newsletter 833 ~ subscribe now!

Pa Kua Chang and Indian Stealth Skills!
part one

Good evening!
I just finished teaching,
2 1/2 hours of bliss,
and I am in heaven.
Let me share a little of that heaven with you.
Here’s one of the things I was thinking about,
which relates to the martial arts.
Specifically,
how Pa Kua Chang relates to the stealth skills
of the native American Indians.

The most important Martial Arts book ever written.

The most important Martial Arts book ever written.

Incidentally,
I am going to write five articles on this subject,
so if you want all five,
subscribe to the newsletter.
The other four articles will be coming out over the next month.

The American Indians were arguably
the greatest light infantry in the world.
They could outrun horses,
they had thoroughly mastered such weapons as
bows and arrows, knives, hand to hand, and so on.
And, they were masters of stealth.

Think about this:
to put food on their table
they had to be able to sneak up on wild animals.
This meant they walked with no noise,
don’t rustle a leaf,
or step on a twig.
Do it so well that a deer won’t hear you.
Have you ever seen how big a deer’s ears are?

The way they walked was very specific.
They did not walk heel to toe,
they did not place their heel down first,
the placed the front of their foot down first,
so they could feel a twig,
or any other surface that was going to cause noise
sufficient to alert an animal.
So they placed the front of the foot down first,
then rolled to the heel,
and they were aware,
feeling with their feet,
sensitive to whatever they were walking on.
And they walked fast enough to close on an animal
before the animal went elsewhere to feed,
and without alarming the animal.
That takes incredible skill.

Interestingly,
this method of walking is very similar to the way
students of Pa Kua Chang walk.
The precise way of walking in Pa Kua Chang
is to place the whole foot down,
gently,
sensing the ground through the feet.
This eliminates slippage on icy, grassy, wet whatever surfaces.
Further,
it breeds silence.
Further,
it enables the student to grip the ground.

This method of walking
is commonly called ‘Mud Walking.’
Walk so you won’t slip in mud.
Walk silently,
with no wasted (as in audible) energy.

There are differences here,
but here is the point:
both methods are used to build awareness.

It is awareness that makes a better martial artist,
not muscles,
not speed,
not anything else.
It is awareness,
of environment,
of the opponent,
of whatever is going on around you.

It’s funny,
when I hear people refer to Indians as savages
I have to suppress laughter.
They adapted to their environment,
they built a technology
that made them possibly the finest warriors in the world.

If you just study them,
if you consider how you might use their methods,
how you might improve your awareness,
you will find that they were geniuses of combat.

Now,
let’s be honest,
I haven’t studied Indian combat methods in depth,
but I have studied methods that closely align.
Here’s the link to Pa Kua Chang.

http://monstermartialarts.com/martial-arts/butterfly-pa-kua-chang/

Think about what I’ve said here,
and then bury yourself in some Pa Kua,
it will be well worth the journey.

Stay tuned for four more articles
concerning the martial arts
and the stealth abilities of the American Indian.

and have a great work out!

Al

http://monstermartialarts.com/martial-arts/butterfly-pa-kua-chang/

http://www.amazon.com/Binary-Matrixing-Martial-Arts-Case/dp/1515149501/ref=sr_1_1?ie=UTF8&qid=1437625109&sr=8-1&keywords=binary+matrixing

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You can find all my books here!
http://monstermartialarts.com/martial-arts/

http://www.amazon.com/Matrixing-Tong-Bei-Internal-Gung/dp/1507869290/ref=sr_1_1?ie=UTF8&qid=1423678613&sr=8-1&keywords=tong+bei